1 00:01:50,280 --> 00:01:51,280 Here. 2 00:01:51,280 --> 00:01:52,090 Here. 3 00:01:52,090 --> 00:01:53,440 -Ready. -Thank you! 4 00:01:53,610 --> 00:01:54,880 Forward. 5 00:01:55,050 --> 00:01:56,230 Fermin Garcia Lopez. 6 00:01:56,440 --> 00:01:59,730 Fermin Gar... 7 00:02:01,030 --> 00:02:02,550 -García López, here it is. -Yeah. 8 00:02:03,870 --> 00:02:04,870 Forward. 9 00:02:04,930 --> 00:02:05,930 -Hello, good afternoon. -Hello. 10 00:02:06,250 --> 00:02:07,590 I am Catalina Björk. 11 00:02:07,850 --> 00:02:10,010 -Björk? -Yes, like the singer. 12 00:02:10,430 --> 00:02:13,510 Björk, B-J-O with two points R-K. 13 00:02:14,060 --> 00:02:16,100 Oh yes, yes, yes. 14 00:02:16,300 --> 00:02:17,300 -Thank you so much. -Thank you. 15 00:02:17,490 --> 00:02:18,850 Look, we're leaving. 16 00:02:21,290 --> 00:02:22,650 Hello. 17 00:02:23,920 --> 00:02:26,180 Look, this work was done by my friend Grip Face. 18 00:02:27,720 --> 00:02:30,420 He talks about his vision on social networks and human beings. 19 00:02:30,780 --> 00:02:33,020 And that feeling that we all have of being connected. 20 00:02:33,260 --> 00:02:36,000 Look, and the elevator goes up, 21 00:02:36,240 --> 00:02:37,620 the image is transforming... 22 00:02:37,980 --> 00:02:42,640 And it speaks of that inner disconnection that we are all suffering, 23 00:02:43,060 --> 00:02:45,040 that emptiness. Look, look how it is transforming. 24 00:02:45,400 --> 00:02:48,360 -It's brutal, huh? -You are like an encyclopedia of art. 25 00:02:49,440 --> 00:02:50,440 Wow. 26 00:02:50,610 --> 00:02:52,270 -Wow. It's just brutal. -What patience. I love it. 27 00:02:52,440 --> 00:02:54,060 -I love it. -Yes, yes, yes. 28 00:02:54,680 --> 00:02:57,050 A little about a new project 29 00:02:57,220 --> 00:03:00,170 -I hope it will surprise you. -Fermin? 30 00:03:00,340 --> 00:03:02,710 -Fermin? -It's going to make you laugh a little. 31 00:03:04,210 --> 00:03:07,790 The work we have here is by Mario Klingemann. 32 00:03:08,130 --> 00:03:10,970 Always work with the most current technology, 33 00:03:11,750 --> 00:03:14,830 exploring the possibility of co-creation 34 00:03:14,830 --> 00:03:17,550 between the human being and the machine. 35 00:03:18,030 --> 00:03:19,250 I present to you AICAA, 36 00:03:19,890 --> 00:03:22,750 Artificially Intelligent Critical Canine. 37 00:03:24,070 --> 00:03:26,290 AICAA, with its camera eyes, 38 00:03:26,790 --> 00:03:29,330 is able to look at a painting 39 00:03:29,330 --> 00:03:34,170 and thanks to the algorithms that the artist himself has designed, 40 00:03:34,810 --> 00:03:36,730 Well, you can, in real time, 41 00:03:37,550 --> 00:03:39,970 write a review of this painting, 42 00:03:40,190 --> 00:03:43,490 that right now is going to come out of his ass, 43 00:03:43,670 --> 00:03:44,670 if we are lucky. 44 00:03:52,470 --> 00:03:54,390 -But... Damn! -What are you doing? Come on. 45 00:03:54,670 --> 00:03:57,370 -Here was my painting. -There, it was, it was. 46 00:03:58,010 --> 00:03:59,490 Now it will be in the warehouse comb 47 00:03:59,490 --> 00:04:01,850 with 80% of the artists in this collection. 48 00:04:02,310 --> 00:04:04,070 But hey, they can do that just like that. 49 00:04:04,070 --> 00:04:05,070 -Fermin. -Yeah? 50 00:04:05,090 --> 00:04:06,930 Do you remember me? I'm Laura. 51 00:04:07,290 --> 00:04:09,890 We met at Art Basel Miami, don't you remember? 52 00:04:10,110 --> 00:04:12,250 -Yes, Laura. Laura. -How are you? 53 00:04:12,250 --> 00:04:14,030 -How are you? Very good. -How are you? I see you great. 54 00:04:14,550 --> 00:04:16,790 -Hello. Laura. -She is my wife. 55 00:04:16,790 --> 00:04:17,790 Are you a gallery owner? 56 00:04:18,230 --> 00:04:19,230 Well... 57 00:04:19,790 --> 00:04:21,280 -Well... well, we'll see you later. -Okay. 58 00:04:21,280 --> 00:04:23,030 -Yes, see you at the cocktail party. -Very good. 59 00:04:23,030 --> 00:04:24,650 -See you later. -See you later. Bye. 60 00:04:26,530 --> 00:04:27,050 Fermin, 61 00:04:27,050 --> 00:04:29,650 We have been separated for more than ten years. Why do you do that? 62 00:04:29,870 --> 00:04:32,830 -I don't know, it came out like that. -Take. 63 00:04:32,830 --> 00:04:34,730 -Your email. -But why are you giving me this now? 64 00:04:34,850 --> 00:04:37,130 Because if I don't give it to you now, I don't know when I'll be able to give it to you. 65 00:04:37,130 --> 00:04:38,090 Yeah, but... 66 00:04:38,090 --> 00:04:39,850 What you have to do is change direction, 67 00:04:40,010 --> 00:04:41,570 What if all your letters don't reach me? 68 00:04:41,750 --> 00:04:44,330 Yes, but to change address I have to register. 69 00:04:44,330 --> 00:04:46,710 And I can't register in a garage, right? 70 00:04:47,150 --> 00:04:50,450 Good afternoon. Welcome to Solo Collection. 71 00:04:50,890 --> 00:04:52,950 Today is a great day for upcoming art. 72 00:04:53,470 --> 00:04:56,310 Today I have the honor of presenting the international competition 73 00:04:56,310 --> 00:04:59,870 to select the five artists who will give us their particular version 74 00:04:59,870 --> 00:05:02,430 about one of the works that blows your mind the most 75 00:05:02,430 --> 00:05:04,490 throughout the history of art. 76 00:05:05,090 --> 00:05:06,870 I am referring, as you know, 77 00:05:07,310 --> 00:05:11,530 to Jheronimus Bosch's masterpiece, "The Garden of Earthly Delights". 78 00:05:11,530 --> 00:05:13,770 It's like a messenger of time 79 00:05:13,770 --> 00:05:17,150 that comes from the court of Philip II to the present day 80 00:05:17,150 --> 00:05:19,670 to continue talking about the big topics 81 00:05:19,670 --> 00:05:21,530 that continue to worry humanity. 82 00:05:21,620 --> 00:05:22,690 Spirituality, vices... 83 00:05:22,780 --> 00:05:23,780 -What a beating! -That? 84 00:05:23,850 --> 00:05:24,990 What a beating! 85 00:05:25,300 --> 00:05:28,990 ...of man's vulnerability 86 00:05:29,450 --> 00:05:33,930 and the duality between good and evil, between science and God. 87 00:05:48,700 --> 00:05:52,740 What makes this referential work of Hieronymus 88 00:05:52,740 --> 00:05:54,500 continue to keep intact...? 89 00:05:58,010 --> 00:05:59,480 Please. 90 00:06:03,810 --> 00:06:05,280 So much fucking mobile. 91 00:06:05,450 --> 00:06:08,010 Continuous. Let's see... 92 00:06:08,940 --> 00:06:13,540 What makes this reference work of Hieronymus 93 00:06:13,540 --> 00:06:15,780 keep all your power intact? 94 00:06:24,720 --> 00:06:25,720 Pabu. 95 00:06:27,630 --> 00:06:28,630 Pablo, I'm coming! 96 00:06:31,550 --> 00:06:33,380 What's happening? Look, who's there. 97 00:06:33,530 --> 00:06:36,410 What's happening? What about you? 98 00:06:36,590 --> 00:06:37,590 -How are you? -How are you, uncle? 99 00:06:37,590 --> 00:06:38,450 -Good and you? -Very good. 100 00:06:38,450 --> 00:06:41,850 He's been great, huh? It has eaten up my father's garden a little, but... 101 00:06:42,010 --> 00:06:43,720 But all good, all good. 102 00:06:45,750 --> 00:06:47,650 I have zero chance 103 00:06:47,650 --> 00:06:50,330 that Martín only chooses me in his top ten. 104 00:06:50,670 --> 00:06:52,670 -Five. -Well, five. 105 00:06:53,130 --> 00:06:56,110 Well, you can perfectly be in their top five. 106 00:06:56,630 --> 00:06:58,770 Yes, I hope so, but have you already seen what happened? 107 00:06:58,950 --> 00:07:01,110 They lifted the painting that was there in the hallway. 108 00:07:01,570 --> 00:07:04,990 The thing is that right now abstract expressionism is totally outdated. 109 00:07:05,150 --> 00:07:07,730 Now, you can go back to the figurative, Fermín. You're doing very well. 110 00:07:07,950 --> 00:07:09,890 Figurative. I really don't know what we're doing here. 111 00:07:10,290 --> 00:07:11,490 I have told you a thousand times, Fermín. 112 00:07:11,530 --> 00:07:13,330 You can't always be hiding in your cave. 113 00:07:13,770 --> 00:07:16,050 -You have to go out a little more. -Socialize? 114 00:07:16,090 --> 00:07:19,310 Yes, interact with people. It is something fundamental in the art world. 115 00:07:19,510 --> 00:07:22,410 Yeah, but look, the people here are Pablo's age. 116 00:07:22,890 --> 00:07:23,950 I don't understand them. 117 00:07:24,090 --> 00:07:26,470 And on the other hand everything is very dark, no one can be seen. 118 00:07:27,670 --> 00:07:28,810 Come on, look who's there. 119 00:07:29,010 --> 00:07:31,750 -Who? -Antoñito. I'm going to say hello. 120 00:07:32,090 --> 00:07:34,090 Antonio. Antonio, dear. 121 00:07:34,260 --> 00:07:36,320 -Hello! -Hello, Pepa! 122 00:07:36,490 --> 00:07:38,810 -How are you? How are you? -How are you? How are you? 123 00:07:38,870 --> 00:07:41,370 -I'm glad you're here, really. -Clear. Here I am. 124 00:07:41,490 --> 00:07:43,530 -Here you are. All good? -Regular. 125 00:07:43,530 --> 00:07:44,530 -Regular and why? -Good. 126 00:07:44,700 --> 00:07:46,010 -Perfect. -I'm going perfect. 127 00:07:46,190 --> 00:07:47,360 -Perfect. Look. -Perfect. 128 00:07:47,540 --> 00:07:49,680 Look who's there. Come. Come here. 129 00:07:49,850 --> 00:07:51,850 -Hello, Fermin. -Hello. How are you? 130 00:07:51,910 --> 00:07:54,430 -How are you, Antonio, teacher? -How are you? Hello hello. 131 00:07:55,150 --> 00:07:57,630 -How are you? Joseph Gabriel. -Fermin, how are you? 132 00:07:57,850 --> 00:08:00,130 -Very good. Maria Dolores. -How are things with you? 133 00:08:00,150 --> 00:08:02,130 Well look, I was precisely talking to Fermín 134 00:08:02,470 --> 00:08:05,190 and I was telling him why don't you go back to the figurative 135 00:08:05,190 --> 00:08:08,550 You are so good at it and this open competition is presented, right? 136 00:08:08,930 --> 00:08:10,330 What do you think? I don't know. 137 00:08:10,830 --> 00:08:11,850 How is your painting going? 138 00:08:11,850 --> 00:08:14,270 Well, what happens is that I have changed my style. 139 00:08:14,450 --> 00:08:16,530 -I mean, I've gone a little overboard... -To the Pollocks. 140 00:08:16,830 --> 00:08:17,830 -No, to the Pollocks... -Well... 141 00:08:18,020 --> 00:08:19,030 -Pollocks. -Abstract expressionism. 142 00:08:19,130 --> 00:08:22,690 Yes, more or less. To the Pollocks. You already know. 143 00:08:22,690 --> 00:08:23,690 You look very good. 144 00:08:23,910 --> 00:08:26,230 I really liked what I've seen of you. 145 00:08:26,310 --> 00:08:27,610 -Thank you so much. Thank you so much. -Yes of course. 146 00:08:28,250 --> 00:08:29,510 What happens is that when you change style... 147 00:08:30,000 --> 00:08:31,860 If you need to change, you will have to change. 148 00:08:32,030 --> 00:08:33,240 Yes, yes. 149 00:08:33,410 --> 00:08:35,030 In any case, I still see him very well. 150 00:08:35,290 --> 00:08:37,850 Excuse me, teacher, can I take a photo with you? 151 00:08:38,290 --> 00:08:40,650 But of course, with us, with Fermín and me. 152 00:08:40,650 --> 00:08:42,690 -Yes, well. -Seem to you? 153 00:08:42,840 --> 00:08:44,700 -Yes, yes. For me delighted. -Clear. Yes. 154 00:08:44,850 --> 00:08:46,350 -Oh, what an illusion. -Hello. 155 00:08:46,670 --> 00:08:48,990 I admire him a lot. I really like his work. 156 00:08:49,210 --> 00:08:52,550 -One... -Wait, put it more... 157 00:08:54,170 --> 00:08:55,170 One, two... 158 00:08:58,110 --> 00:08:59,110 Thank you. 159 00:09:40,450 --> 00:09:43,230 -Fermin. -Damn, what a scare. 160 00:09:43,390 --> 00:09:45,460 -What's happening? -What a scare you've given me! 161 00:09:45,630 --> 00:09:47,910 -Nothing. Here... -You weren't in Malaga? 162 00:09:48,290 --> 00:09:51,530 -Yes, but hey, you? This? -Well, social life, you know. 163 00:09:51,830 --> 00:09:55,110 -Conventions we have. -Well yes, I had to be in Malaga, 164 00:09:55,890 --> 00:09:57,250 but I have forgotten all the sketches and everything. 165 00:09:57,400 --> 00:09:58,400 Don't tell me. 166 00:09:58,410 --> 00:10:00,730 And as always, I'm going to end up making a fool of myself. 167 00:10:00,890 --> 00:10:03,050 -Yeah. -Well look, I came to pick this up. 168 00:10:03,050 --> 00:10:04,050 You never make a fool of yourself. 169 00:10:04,190 --> 00:10:06,650 Plus, hey, what you're going to do is a huge mural, right? 170 00:10:06,850 --> 00:10:10,830 -What are they, 10 meters or so? -10 meters? It is 70 square meters, 171 00:10:11,250 --> 00:10:14,170 with a 9 meter scaffold. I don't know how I get into this topic. 172 00:10:14,510 --> 00:10:15,590 -Don't fucking tell me. -They have deceived me. 173 00:10:16,090 --> 00:10:18,750 I have asked two guys to move the scaffolding 174 00:10:18,750 --> 00:10:22,110 and a hotel that has a spa, 175 00:10:22,450 --> 00:10:24,790 sauna, masseuse... Have everything. 176 00:10:25,010 --> 00:10:28,350 You're doing very well, man, because if not, then tendonitis is yours... 177 00:10:28,430 --> 00:10:30,510 Yeah, damn, yeah, yeah. Well, how are you? 178 00:10:30,510 --> 00:10:31,530 How about sleeping here? 179 00:10:31,930 --> 00:10:34,590 Okay, well, you know it's temporary, right? 180 00:10:34,590 --> 00:10:36,450 It actually doesn't usually work. 181 00:10:36,450 --> 00:10:39,250 the house and the studio in the same place, right? Oh well. 182 00:10:39,450 --> 00:10:42,330 Now, well, you can be careful now. 183 00:10:42,730 --> 00:10:43,830 Here you stay alone, 184 00:10:44,470 --> 00:10:48,270 but you should know that if you smell a lot of solvent 185 00:10:48,270 --> 00:10:50,210 and you start laughing by yourself, go outside 186 00:10:50,210 --> 00:10:53,310 because you're getting high. Seriously, you could be an idiot. 187 00:10:53,650 --> 00:10:57,270 Don't tell me. Well, maybe look, drugs are cheap for me. 188 00:10:57,530 --> 00:11:00,030 -Well yes. -Well, Javier, wait until I open it for you. 189 00:11:00,030 --> 00:11:02,710 -See you around the corner. -Come on, yeah, great. 190 00:11:34,050 --> 00:11:36,450 -Yeah? -Dad, it's me. 191 00:11:36,930 --> 00:11:38,930 -Pablo? -Yes, open it for me, please. 192 00:11:39,170 --> 00:11:42,030 -But, but, what are you doing here? -Well, I just arrived from India. 193 00:11:42,810 --> 00:11:44,270 But I called you and you hung up on me. 194 00:11:44,890 --> 00:11:47,130 No, no, no, well, no, no, it's just... 195 00:11:47,130 --> 00:11:49,790 -But, have you returned from India then? -Well, that's what I'm telling you. 196 00:11:50,210 --> 00:11:52,290 Oh, okay, but weren't you coming back next week? 197 00:11:52,510 --> 00:11:54,130 But do you want to open it up and we'll talk about it inside? 198 00:11:54,770 --> 00:11:56,050 Okay, okay, sorry, yeah. 199 00:12:10,960 --> 00:12:14,080 Wait, wait. Stop, stop there. Stop there. 200 00:12:14,080 --> 00:12:15,060 How are you? 201 00:12:15,060 --> 00:12:16,780 -Good. -How elegant, right? 202 00:12:17,100 --> 00:12:19,140 -Yes, well, it's just... -Where have you been? 203 00:12:19,220 --> 00:12:21,940 I come from an official event there. How are you, son? 204 00:12:23,500 --> 00:12:26,820 Hey, that's good. See you there handsome, huh? 205 00:12:27,340 --> 00:12:28,760 The dark man of India. 206 00:12:28,860 --> 00:12:32,040 -Yes, hey, but did you bring the beast? -Man! 207 00:12:32,040 --> 00:12:33,420 -Don't tell me. -There's the bug. 208 00:12:34,140 --> 00:12:36,460 Hey, hey, but oh well. 209 00:12:36,800 --> 00:12:37,800 Hey. 210 00:12:39,720 --> 00:12:42,780 -I don't know what we're going to do here with this... -Calm down, calm down. 211 00:12:43,940 --> 00:12:46,680 Do you know the trauma I had with that dwarf bulldog? 212 00:12:46,820 --> 00:12:48,680 Well, but that was a thousand years ago. 213 00:12:48,820 --> 00:12:51,440 Yes, but childhood traumas linger in memory. 214 00:12:51,600 --> 00:12:53,860 -Look what I brought you. -Ah, incense, how cool. 215 00:12:53,860 --> 00:12:56,100 The incense that you asked me for, some matches. 216 00:12:56,200 --> 00:12:57,200 Some matches? 217 00:12:58,640 --> 00:13:00,060 But do people still use matches? 218 00:13:00,160 --> 00:13:01,320 -Fuck, for everything, man. -And this? 219 00:13:02,540 --> 00:13:05,340 And look, a shirt... one of those you like. 220 00:13:05,340 --> 00:13:07,620 -I love the color! Let's see. -Saffron. 221 00:13:07,680 --> 00:13:08,760 -How are you? Good? -Very good. 222 00:13:09,120 --> 00:13:11,640 Great! Hey, and... have you painted? 223 00:13:12,260 --> 00:13:14,340 Yes of course. Look. 224 00:13:15,900 --> 00:13:16,920 Beautiful. 225 00:13:17,160 --> 00:13:19,160 -Do you like them? -Yeah. 226 00:13:20,560 --> 00:13:24,800 And this? Don't tell me you've been to a Leninist ashram. 227 00:13:24,820 --> 00:13:27,920 No, no, no. That's Kerala, which has a communist government. 228 00:13:28,220 --> 00:13:29,980 Then they fill everything with hammers and sickles. 229 00:13:30,150 --> 00:13:32,080 -Now, now. -Che Guevara, these things. 230 00:13:32,260 --> 00:13:35,810 Hey, is he here? Is this Estela? 231 00:13:36,380 --> 00:13:39,800 -Yes, it's Estela, yes. -But don't tell me you're still painting it. 232 00:13:40,200 --> 00:13:42,660 Well, from time to time. Yes. 233 00:13:44,580 --> 00:13:46,180 Mom... He's calling me. 234 00:13:47,040 --> 00:13:48,040 Yes, mom, how are you? 235 00:13:49,220 --> 00:13:50,760 Good, good. No, here in the... 236 00:13:52,080 --> 00:13:54,400 -dad's house studio. -Shall I get you an egg? 237 00:13:54,980 --> 00:13:57,460 -Hey? -For the tortilla, so that it is tempered. 238 00:13:57,460 --> 00:13:58,460 Oh, okay, yes, yes. 239 00:13:59,200 --> 00:14:02,900 Well... tomorrow I can't. I have... I have arranged to meet Pabu. 240 00:14:03,140 --> 00:14:06,000 We are going to go to Leroy Merlin and buy these things there for the van. 241 00:14:06,620 --> 00:14:09,500 Yes, I'm going to get with her here. Yes, yes. 242 00:14:09,980 --> 00:14:13,940 No, I haven't told him yet, but hey, now I'm telling him. Yes, yes. 243 00:14:13,940 --> 00:14:17,500 Come by in the afternoon, okay? I'll show you the work and such. 244 00:14:18,600 --> 00:14:19,600 Yes, dad liked it. 245 00:14:20,840 --> 00:14:23,280 Come on, great. A little kiss Bye. 246 00:14:23,820 --> 00:14:25,300 What is this about Leroy Merlin? 247 00:14:26,120 --> 00:14:27,260 Well that... 248 00:14:28,260 --> 00:14:30,480 I'm going to do the van thing here, you know? 249 00:14:30,560 --> 00:14:31,880 -Here? -Camperize it, yes. 250 00:14:32,560 --> 00:14:34,740 -If you don't mind, let's go. -No, I don't care. 251 00:14:34,740 --> 00:14:37,260 -It's a great place. -Yes, yes, yes, yes. 252 00:14:37,620 --> 00:14:40,360 But I still have to ask you for some pasta. A preview. 253 00:14:40,660 --> 00:14:42,660 -Pasta... -I just came here, Dad. 254 00:14:42,860 --> 00:14:44,300 Well, I don't have cash. 255 00:14:45,720 --> 00:14:46,720 Well, leave me the card. 256 00:14:47,340 --> 00:14:50,840 Well, the card is that... Hey, damn, but look, Pablo... What is this? 257 00:14:51,020 --> 00:14:54,160 -Down, fat man. -Dude, damn, it's... 258 00:14:54,340 --> 00:14:57,980 -Look, this is full of hair. -He's changing his hair. 259 00:14:58,160 --> 00:15:00,360 Yeah, well. Look, I'm going to do something. I'll leave you the card, okay? 260 00:15:00,880 --> 00:15:03,560 Don't take advantage of it much either because the account is not very there. 261 00:15:03,720 --> 00:15:08,260 And you buy me one of these small handheld vacuum cleaners, okay? 262 00:15:08,420 --> 00:15:10,860 -Okay. -One... But one that works. 263 00:15:11,500 --> 00:15:13,020 -Okay. Okay. -Here, go. 264 00:15:13,870 --> 00:15:14,880 Fuck. 265 00:15:15,040 --> 00:15:16,980 Pabu is going to help me too, don't you mind? 266 00:15:17,260 --> 00:15:18,880 Pabu. Is Pabu coming too? 267 00:15:19,020 --> 00:15:20,740 He already has experience with these things. 268 00:15:20,800 --> 00:15:23,660 You don't know how his van turned out, man. 269 00:15:24,020 --> 00:15:25,140 Are you getting a joint here? 270 00:15:25,600 --> 00:15:27,600 Yes. Well, this is CBD. 271 00:15:28,260 --> 00:15:30,560 And this is a multita that comes to me again. 272 00:15:31,380 --> 00:15:34,060 -About what? -Fuck. Well, I don't know about the car. 273 00:15:34,060 --> 00:15:37,500 I have sold him, but he returns, the eternal return of... 274 00:15:38,460 --> 00:15:39,760 Ah, Nietzsche forever. 275 00:15:41,000 --> 00:15:45,740 -Well, how about CBD? -Here, go. Very good. 276 00:15:45,910 --> 00:15:47,940 -Yeah? -It's rich. 277 00:16:21,970 --> 00:16:22,970 Fermin! 278 00:16:26,350 --> 00:16:28,550 -Wait, I'll open it for you. Wait. Wait. -Fuck. 279 00:16:28,890 --> 00:16:29,890 Come on in, man. 280 00:16:30,090 --> 00:16:32,490 But what do you do with that dog, who is bigger than you? 281 00:16:32,690 --> 00:16:36,670 It's my son's, man. It's just that he came from India and he foisted it on me. 282 00:16:36,830 --> 00:16:38,990 He has foisted it on you, of course. Hold it there, come on. 283 00:16:39,140 --> 00:16:40,830 -I'll put it here for a moment. -Can? 284 00:16:40,990 --> 00:16:42,550 There it is. Be careful with the whiskey. 285 00:16:43,070 --> 00:16:45,270 Sit down, man, sit down. How long. 286 00:16:45,430 --> 00:16:48,350 -Yes, yes, no, I don't have much time. -No, now, don't worry. 287 00:16:48,510 --> 00:16:51,810 -Have you seen the latest news? Amazing. -What news? What's happening? 288 00:16:51,850 --> 00:16:55,910 They have discovered a copy of "Venus and Adonis" by Don Diego de Velázquez. 289 00:16:55,910 --> 00:16:57,270 But what painting is that? 290 00:16:57,930 --> 00:17:01,030 A painting that disappeared in the fire of the Real Alcázar. 291 00:17:01,650 --> 00:17:04,150 From the Real Alcázar? What Real Alcázar? 292 00:17:04,370 --> 00:17:06,570 The Alcázar was where the Royal Palace is now. 293 00:17:06,890 --> 00:17:09,850 I think that about 500 works or so were burned in that fire. 294 00:17:09,990 --> 00:17:12,010 -Well, don't tell me. -A disaster. 295 00:17:12,010 --> 00:17:13,010 Oysters. 296 00:17:13,060 --> 00:17:15,880 At least the original, hey, was purified with fire. Something is something. 297 00:17:16,030 --> 00:17:17,030 -Yes, yes, something is something. -Which is one thing... 298 00:17:17,550 --> 00:17:20,070 -Am I talking too loud? -No, no, no. 299 00:17:20,070 --> 00:17:23,530 They have given me a new hearing aid and I still don't have it properly adjusted. 300 00:17:23,530 --> 00:17:26,470 -Do I speak low? Do you hear me well? -No, I hear you well. 301 00:17:26,620 --> 00:17:29,320 -What do you say to me? -Yes, a little finger, do me a favor, a little finger. 302 00:17:29,470 --> 00:17:32,010 And you also bring me a separate glass of water. 303 00:17:32,190 --> 00:17:35,290 And also set aside a glass with a lot of ice, but ice that is very cold. 304 00:17:36,230 --> 00:17:40,130 -But the ice is always cold, sir. -Not always, there is ice and ice. 305 00:17:40,150 --> 00:17:42,650 There are ices that, shut up a little, I'm talking to the waiter. 306 00:17:43,090 --> 00:17:45,610 There is ice that melts quickly and very good ice, 307 00:17:45,810 --> 00:17:48,450 which is the permafrost ice, that of Antarctica and all that. 308 00:17:48,550 --> 00:17:50,690 -Do you want to drink something? -No, no, I just have to go. 309 00:17:50,830 --> 00:17:53,240 -Look, because I have... -Thank you. 310 00:17:53,470 --> 00:17:54,670 I have to go to the post office with... 311 00:17:56,190 --> 00:17:57,570 Sorry, it's just that... they're calling me here now. 312 00:17:57,770 --> 00:18:00,450 Excuse me for a second, I'll take it and see who. 313 00:18:01,210 --> 00:18:03,210 It's Juliet, it's Juliet, yes. 314 00:18:03,450 --> 00:18:05,670 Juliet, tell me. No, ah, we had agreed. 315 00:18:06,050 --> 00:18:07,750 No, no, that can be done later, no. 316 00:18:08,650 --> 00:18:09,890 I'm with my friend Fermín. 317 00:18:10,550 --> 00:18:11,550 Oh, what have we agreed to do today? 318 00:18:12,950 --> 00:18:14,250 No, I'm not drinking. 319 00:18:14,420 --> 00:18:16,660 -Give him your regards. -Okay, on your part. 320 00:18:16,830 --> 00:18:18,630 No, he's drinking a non-alcoholic beer. 321 00:18:18,630 --> 00:18:21,530 And me too, I don't drink anymore. I already told you that I don't drink milk... 322 00:18:21,530 --> 00:18:24,270 But that's enough that... If I don't drink, I've never drunk, damn it. 323 00:18:24,470 --> 00:18:25,830 Fermin! Fermin! 324 00:18:28,160 --> 00:18:29,930 -There, grab. -Okay. 325 00:18:31,580 --> 00:18:33,160 Here, about your father. 326 00:18:33,380 --> 00:18:35,720 And when you can, I need the money for Portugal. 327 00:18:35,900 --> 00:18:38,280 Yes, yes. Sorry, man, I don't know what the hell is wrong with the card. 328 00:18:38,460 --> 00:18:40,120 -It's very good, son, I love it. -Yeah? 329 00:18:40,360 --> 00:18:42,980 Yes, yes, yes. Oh, this one, look, I love it. 330 00:18:43,750 --> 00:18:44,750 Hey? 331 00:18:45,220 --> 00:18:49,260 The loose line, the right tones... Very good. 332 00:18:49,260 --> 00:18:51,980 -Thank you very much, mom. -I think I could find you a gallery. 333 00:18:51,980 --> 00:18:53,480 -Oh, yes? -Not mine, you know. 334 00:18:53,820 --> 00:18:54,820 Uh... No, I don't know. 335 00:18:55,200 --> 00:18:56,720 Well son, because this figurative doesn't fit. 336 00:18:56,820 --> 00:18:59,560 You know that I... I dedicate myself to carrying... 337 00:18:59,710 --> 00:19:01,690 the work of artists who are at the end of their career, 338 00:19:01,850 --> 00:19:03,830 with a solid speech, anyway, you know. 339 00:19:03,980 --> 00:19:06,860 A very solid speech, right? Like sheet metal and paint, maybe? 340 00:19:07,040 --> 00:19:10,140 -That? -With a lot of sheet metal, but after painting... 341 00:19:10,860 --> 00:19:13,920 Anyway, do you know about this shark? The one they put in formaldehyde? 342 00:19:14,050 --> 00:19:15,230 -What shark? -What was his name? 343 00:19:15,360 --> 00:19:16,410 -Damien Hirst. -That. 344 00:19:16,540 --> 00:19:20,320 Well, this guy suddenly teams up with an advertising bigwig. 345 00:19:20,470 --> 00:19:23,090 -With Saatchi, from Saatchi and Saatchi. -Saatchi and Saatchi. 346 00:19:23,660 --> 00:19:26,220 And nothing, then he takes it, puts it up for auction... 347 00:19:26,600 --> 00:19:29,820 -Where was it? At Christie's? -No, at Sotheby's. 348 00:19:29,910 --> 00:19:31,370 At Sotheby's. Well, he takes it out there, he puts a hammer of publi in it and I don't know what 349 00:19:31,460 --> 00:19:34,520 and he sold it for... I think it was 12 million. 350 00:19:34,560 --> 00:19:36,060 -12 million. -12 million. 351 00:19:37,300 --> 00:19:38,720 -That's how it is. -But who pays 12 million for that? 352 00:19:38,780 --> 00:19:41,980 The same person who paid for it will resell it and so on. 353 00:19:42,180 --> 00:19:43,540 -So on. -Everyone is making money. 354 00:19:43,710 --> 00:19:45,640 Now instead of having a Lambo in the garage, 355 00:19:45,810 --> 00:19:48,820 It's like much cooler to have a Hirst there revaluating himself. 356 00:19:49,000 --> 00:19:51,780 -Obviously yes, logically yes. -Well, a painting... 357 00:19:51,860 --> 00:19:54,260 -But having a shark in the garage... -Oh, look who's coming here! 358 00:19:55,400 --> 00:19:56,640 Oh! Look, look. Get over me, he always does the same thing. 359 00:19:57,640 --> 00:19:59,020 What's the matter? Have you seen a ghost? 360 00:19:59,200 --> 00:20:01,800 Something worse. They sent me an obituary. 361 00:20:02,220 --> 00:20:03,740 -What is this? -Here, read it. 362 00:20:03,940 --> 00:20:04,940 It is a seizure order. 363 00:20:05,860 --> 00:20:08,960 Checking accounts, credit cards, everything. 364 00:20:09,200 --> 00:20:11,100 They seize everything, everything, everything. 365 00:20:11,220 --> 00:20:13,160 Yes, I told you, Fermín, that this cannot be left behind. 366 00:20:14,360 --> 00:20:18,640 But I have paid all my debts, Pepa. I even sold my house, damn it. 367 00:20:18,760 --> 00:20:21,680 No, well, you have paid all your debts to the bank, but not to the Treasury, Fermín. 368 00:20:21,680 --> 00:20:23,820 And now the tax agency is demanding you 369 00:20:23,820 --> 00:20:27,480 the delays due to non-payment, all the surcharges, the interest of years. 370 00:20:28,320 --> 00:20:30,240 What a disaster, really! You are a painting! 371 00:20:30,260 --> 00:20:32,160 -You'll have to lend me money. -Me why? 372 00:20:32,480 --> 00:20:34,380 -Man, because you are my gallery owner, Pepa. -AND? 373 00:20:34,680 --> 00:20:37,180 And gallery owners lend money to their artists. 374 00:20:37,380 --> 00:20:38,960 No, sorry, that would be in the last century. 375 00:20:39,340 --> 00:20:42,380 Have you seen my Medici face? I've already gone far enough ahead of you. 376 00:20:42,680 --> 00:20:45,680 Money that you have wasted with your friends and with your little trips. 377 00:20:45,780 --> 00:20:48,600 Why don't you sell these paintings, or what do I know, even if it's half price? 378 00:20:49,100 --> 00:20:51,720 When are you going to find out that you can't download a painter's cache! 379 00:20:52,480 --> 00:20:54,800 I would like to take out the paintings that I have in the warehouse 380 00:20:54,800 --> 00:20:55,800 and get rid of them. 381 00:20:56,180 --> 00:20:59,420 It would be very good for me. But your father's case is different. 382 00:20:59,500 --> 00:21:00,020 By? 383 00:21:00,020 --> 00:21:02,320 Well, because since he started painting Pollocks... 384 00:21:02,620 --> 00:21:05,520 Pollocks, Pollocks. I mean, will you please stop talking about Pollocks? 385 00:21:06,120 --> 00:21:08,180 Calvo Serraller, who is a very important critic, 386 00:21:08,580 --> 00:21:11,060 He said that my work combined Rothko's poetics 387 00:21:11,060 --> 00:21:12,980 with Malevich's constructivism. 388 00:21:13,040 --> 00:21:14,960 Sprinkled with a little Pollock, he said that too. 389 00:21:15,120 --> 00:21:16,280 -Yes, he said that too. -Of course he said it. 390 00:21:17,780 --> 00:21:20,180 The fact is that your father has the collectors confused. 391 00:21:20,460 --> 00:21:23,060 Before, when I did figurative work, I had a fixed clientele, 392 00:21:23,180 --> 00:21:25,700 but now, since he does abstract expressionism, 393 00:21:25,700 --> 00:21:29,460 -Well, no one buys you anymore. -That one has the right to evolve, right? 394 00:21:29,960 --> 00:21:32,460 An artist cannot always be painting the same thing, I say. 395 00:21:34,560 --> 00:21:36,680 Well, let's see, I have an idea. 396 00:21:37,620 --> 00:21:40,100 I'm going to give you a preview, but on one condition. 397 00:21:40,780 --> 00:21:41,880 -Which? -Which? 398 00:21:42,080 --> 00:21:44,300 -That, which one? -That you sign up for Hieronymus Bosco. 399 00:21:44,980 --> 00:21:48,640 To Hieronymus Bosch? But for that I would have to be a figurative painter. 400 00:21:48,840 --> 00:21:50,620 You are not figurative, but you know that Martín Solo 401 00:21:50,620 --> 00:21:52,280 He is looking forward to having one of your works at home. 402 00:21:52,780 --> 00:21:55,000 -In the living room? -In the bathroom, but what difference does it make? 403 00:21:55,240 --> 00:21:57,460 -Fuck, in the bathroom, Pepa, please. -Let's see, sorry. 404 00:21:58,100 --> 00:22:00,400 But to me the bathroom seems like a place just as worthy as any other. 405 00:22:00,560 --> 00:22:03,230 -Exactly. There you have hit it. -See you later. 406 00:22:03,390 --> 00:22:06,020 Fermín, you are not in a position to oppose which work to choose. 407 00:22:06,180 --> 00:22:07,760 No, because if they catch you in Solo, 408 00:22:08,320 --> 00:22:10,400 They would give you a little money that could solve this issue. 409 00:22:10,920 --> 00:22:13,020 And also, most importantly, you would enter the market. 410 00:22:13,620 --> 00:22:15,780 -Already. -With the figurative, of course. 411 00:22:16,260 --> 00:22:19,180 -But no, I can't, I can't. -You can't, yes you can. 412 00:22:19,300 --> 00:22:21,080 -Yes, yes it can, yes it can. -If I can? 413 00:22:21,080 --> 00:22:21,740 Yes you can. 414 00:22:21,740 --> 00:22:23,620 -Can I go to the figurative? -100%. 415 00:22:24,040 --> 00:22:26,020 Well, I don't know, I could do a work called 416 00:22:26,200 --> 00:22:27,920 "The delights of the garden", for example. 417 00:22:30,000 --> 00:22:31,000 I love it. 418 00:22:31,520 --> 00:22:32,520 Do you like it? 419 00:22:33,180 --> 00:22:35,000 -I'll make you a deposit right now. -Really? 420 00:22:35,200 --> 00:22:38,160 -Really. In your account? -No, no, no, the Treasury is taking it away from me. 421 00:22:38,340 --> 00:22:39,340 Do it on mine, if you want. 422 00:22:41,420 --> 00:22:42,540 Well, let's see... 423 00:22:43,280 --> 00:22:45,500 Well, yes. The coverage on this site is that there is no way, huh? 424 00:22:46,940 --> 00:22:49,340 Here. I'm going to pay you 3,000, okay? 425 00:22:49,600 --> 00:22:51,640 Man, 3,000. And with 3,000 I don't do anything. 426 00:22:51,980 --> 00:22:53,540 Besides, I have to pay Pabu. 427 00:22:53,780 --> 00:22:56,340 -Well, and the rent for this garage... -I came dry from India. 428 00:22:56,900 --> 00:22:58,960 Very good. Well, 5,000. 429 00:22:59,320 --> 00:23:00,560 And you manage, okay? 430 00:23:01,580 --> 00:23:05,030 And I'm leaving. I have some collectors waiting, 431 00:23:05,030 --> 00:23:06,030 I hope, for God's sake. 432 00:23:06,360 --> 00:23:09,360 May they save me from closing the gallery. See you later! 433 00:23:09,880 --> 00:23:10,880 -Bye bye. -See you later. 434 00:23:12,020 --> 00:23:14,760 Now I understand the hand thing, the Pollocks. 435 00:23:14,760 --> 00:23:16,260 Damn, but how long have you been like this, dad? 436 00:23:16,440 --> 00:23:17,620 Well, a few years, yes. 437 00:23:18,620 --> 00:23:20,740 Well, don't worry, I'll help you paint the picture, okay? 438 00:23:21,020 --> 00:23:22,020 -Yeah? -Yeah. 439 00:23:22,160 --> 00:23:23,520 -Do you paint it? -I paint it. 440 00:23:23,940 --> 00:23:24,940 Come on. 441 00:23:45,590 --> 00:23:48,020 Hey, man, have you heard from Estela? 442 00:23:48,200 --> 00:23:52,420 -Estela, well, I have seen her, yes. -How are you? How is it? 443 00:23:52,600 --> 00:23:54,140 Good. Don't you talk to her? 444 00:23:56,940 --> 00:23:59,160 No, well, we share topics from time to time, you know? 445 00:23:59,180 --> 00:24:01,720 We talk about each other and such. 446 00:24:02,020 --> 00:24:03,020 -A strange thing, but oh well. -As? 447 00:24:04,520 --> 00:24:06,220 Well nothing, since we share the account, 448 00:24:06,780 --> 00:24:08,840 sometimes I do see that it is connected and such, 449 00:24:08,960 --> 00:24:11,160 Well, I'll give you a topic, right?, so that you remember. 450 00:24:11,840 --> 00:24:14,900 -And she does the same? -The truth is that not lately, man. 451 00:24:15,400 --> 00:24:16,400 Already. 452 00:24:17,350 --> 00:24:20,310 The thing is, Pablo, honestly, that sounds a little creepy. 453 00:24:21,390 --> 00:24:22,990 -Yes, I know. -Let's see, I think you should come in. 454 00:24:22,990 --> 00:24:26,390 -Now, now, now, yes, yes. -Or, well, I don't know, get on Tinder. 455 00:24:26,770 --> 00:24:30,450 -A Tinder me? -Yeah. Or should I introduce you to someone? 456 00:24:31,110 --> 00:24:32,110 The guy market is terrible. 457 00:24:32,190 --> 00:24:34,330 I have friends who ask me, they tell me: "Hey, anyone?" 458 00:24:34,910 --> 00:24:37,110 And I say, "Any requirements?" Let him take a shower. 459 00:24:37,410 --> 00:24:39,890 I mean, I swear to you, the level is there, in that he knows how to speak. 460 00:24:40,310 --> 00:24:42,610 The thing is not bad. No, I'm not Tinder, man, no. 461 00:24:42,690 --> 00:24:45,630 To me it's like not those things, you know? No, no... 462 00:24:51,200 --> 00:24:54,620 It's so good to work here, huh! A coffee? 463 00:24:54,940 --> 00:24:55,940 -No, thanks. -No, thanks. 464 00:24:56,760 --> 00:24:57,760 How nice your father. 465 00:25:09,030 --> 00:25:10,320 Come on. 466 00:25:16,630 --> 00:25:17,830 See you. 467 00:25:18,180 --> 00:25:20,180 -Bye. -Bye. Bye. 468 00:25:28,610 --> 00:25:31,830 -We are all a little nervous. -Now, now. But some more than others. 469 00:25:40,550 --> 00:25:42,950 -This is crazy. -This? I think that this guy, man, 470 00:25:42,950 --> 00:25:45,930 Either he was an only child or he took the wrong turn. 471 00:25:46,250 --> 00:25:47,490 I don't even know where to start. 472 00:25:48,210 --> 00:25:52,290 -That would be... paradise, right? -Yes, that. 473 00:25:52,410 --> 00:25:56,630 -And the center would be the current world, right? -Yes, well, the present. 474 00:25:56,870 --> 00:25:59,030 The present, okay. That is, here we could put 475 00:25:59,030 --> 00:26:01,730 the consumer society, capitalism... 476 00:26:01,730 --> 00:26:04,110 Well, socialism, the tax agency... 477 00:26:06,250 --> 00:26:09,670 -Damn, but what are you doing? -Man, this is a Pollock. 478 00:26:09,670 --> 00:26:12,230 -A Pollock. -This is covered now, calm down, man. 479 00:26:12,270 --> 00:26:14,470 -Well, damn. -Hey, I was thinking... 480 00:26:14,930 --> 00:26:17,270 -Yes? -Because we have the Prado here next door. 481 00:26:17,330 --> 00:26:19,830 -Damn, it's true, we have the Prado. -Let's see it live, right? 482 00:26:19,830 --> 00:26:23,090 Sure, let's fucking see it. If we forget the Prado. 483 00:26:23,530 --> 00:26:25,490 It's the biggest art gallery in the world, man. 484 00:26:26,210 --> 00:26:28,990 -We would have to go every month, every week... -How long has it been since you took LSD? 485 00:26:30,010 --> 00:26:31,950 Do you want us to go to the Prado high? 486 00:26:32,030 --> 00:26:33,550 Man, of course, right? You will have to see it with your eyes. 487 00:26:34,450 --> 00:26:36,790 -With the eyes of Hieronymus Bosch? -Clear. 488 00:26:36,790 --> 00:26:38,350 Damn, I don't know. Well... 489 00:28:40,380 --> 00:28:41,380 No, no, no, no, no. Not this, not this. 490 00:28:41,540 --> 00:28:43,780 -This is not what? -Damn, play the song. 491 00:28:44,060 --> 00:28:45,220 But it's the radio, Pablo. 492 00:28:45,480 --> 00:28:48,040 -The fucking radio. -What's wrong, don't you like it? 493 00:28:48,440 --> 00:28:50,520 No, no, I love it. The thing is, this was our song. 494 00:28:50,720 --> 00:28:52,840 -Whose? -Well, Estela and mine. 495 00:28:53,840 --> 00:28:56,300 We wore it to... Well. 496 00:28:58,200 --> 00:29:01,180 I think this is going down for me. How long does it last? 497 00:29:01,290 --> 00:29:03,590 Well, like 5, 6, 7, 8 hours. 498 00:29:04,020 --> 00:29:07,180 -It's a bit unstable. -Okay. 499 00:29:08,360 --> 00:29:12,180 Here I was reading that it says that Hieronymus never left his city. 500 00:29:12,640 --> 00:29:13,640 -Oh, yes? -Yeah. 501 00:29:14,040 --> 00:29:15,680 Apparently the guy was recording what 502 00:29:15,680 --> 00:29:19,080 They were like the sacramental autos that were there, that were passing by, 503 00:29:19,320 --> 00:29:20,900 So he was inspired by that to do the work. 504 00:29:21,400 --> 00:29:25,780 Ah, so in the end Hieronymus Bosch turned out to be a painter of manners, right? 505 00:29:25,780 --> 00:29:28,980 -Yes, something like that. Yes, yes. -Well, look, let's see... 506 00:29:29,380 --> 00:29:33,340 The "Garden of Earthly Delights" is a clearly moralistic work 507 00:29:33,740 --> 00:29:36,620 that criticized the vices of the time, right? 508 00:29:36,620 --> 00:29:39,340 -That is. -So... 509 00:29:39,340 --> 00:29:42,760 -Let's see, yes. -Let's see, we can still do that, eh? 510 00:29:43,040 --> 00:29:44,480 -Yeah? -I think so, right? 511 00:29:44,600 --> 00:29:47,520 I mean, politics, right? That is, politics, but now. 512 00:29:47,820 --> 00:29:52,140 Of course, what happens is that if we do that, Hell is going to break loose. 513 00:29:52,260 --> 00:29:54,960 Yes, that's true. And in fact Heaven is going to be empty for us. 514 00:29:55,610 --> 00:29:58,750 -And this? -I don't know very well. 515 00:29:58,920 --> 00:30:02,340 Hey, sorry, please. It's just that I don't... I can't now. 516 00:30:02,800 --> 00:30:04,420 She's a girl I met in Solo. 517 00:30:04,860 --> 00:30:08,840 -Look, Antonio López. -Yes, Antonio López, yes. 518 00:30:09,060 --> 00:30:10,400 -How good. -I was there too. 519 00:30:10,620 --> 00:30:12,640 -What do I tell you? -Well, tell him that... 520 00:30:12,640 --> 00:30:14,640 -"It was a pleasure to meet you." -That the pleasure was mine. 521 00:30:15,200 --> 00:30:17,400 -The pleasure was mine. -Okay, good. 522 00:30:17,560 --> 00:30:21,760 So what we were saying, right? I see the problem above all in the... 523 00:30:21,760 --> 00:30:23,560 in the... 524 00:30:24,880 --> 00:30:26,560 Oh. "I hope we meet again." 525 00:30:26,960 --> 00:30:28,820 -Here, tell her that I hope so too. -Okay. 526 00:30:29,860 --> 00:30:32,200 Well. So, let's see. 527 00:30:32,840 --> 00:30:35,700 We are going to have the problem with the present, 528 00:30:35,880 --> 00:30:37,800 with the central section. 529 00:30:39,080 --> 00:30:41,820 -Yes, because that remains empty too. -Clear. 530 00:30:42,130 --> 00:30:43,130 Sorry. 531 00:30:43,900 --> 00:30:47,040 "By the way, today at 7 p.m. I'm going to an inauguration of collagists." 532 00:30:49,300 --> 00:30:53,080 -Ah, this chick is an environmentalist. -No, no, no, says collagistas. 533 00:30:53,240 --> 00:30:54,820 I think it refers to collages here. 534 00:30:55,060 --> 00:30:56,620 Ah, collages, okay, okay, okay. 535 00:30:56,840 --> 00:31:00,160 -Tell him that, okay, I'm in. -Are you going to this exhibition now? 536 00:31:00,300 --> 00:31:03,140 -Yes, why not? Does it bother you or what? -No, man, no, no, don't bother me. 537 00:31:03,330 --> 00:31:07,010 -What happens is that we are here with... -Okay, just a moment. I mean, I go and come back. 538 00:31:07,200 --> 00:31:09,250 -Come on, you haven't left sometimes. -No, no, it's clear. 539 00:31:09,440 --> 00:31:11,940 -Well, I'm going to take a shower, okay? -Come on, until now. 540 00:31:18,400 --> 00:31:19,400 Pablo. 541 00:31:19,780 --> 00:31:21,200 I'll take your card, okay? 542 00:31:24,200 --> 00:31:27,380 Positive Pride is a CESIDA project 543 00:31:27,380 --> 00:31:31,140 to fight stigma and discrimination 544 00:31:31,140 --> 00:31:33,280 that exists towards people with HIV. 545 00:31:33,480 --> 00:31:38,860 And we need you all, all of you, to break that stigma. 546 00:31:39,040 --> 00:31:40,570 Bravo! 547 00:31:47,230 --> 00:31:49,330 -How are you? -Hi how are things? 548 00:31:49,510 --> 00:31:51,700 -I'm going to introduce you to my friend Fermín. -Delighted. 549 00:31:52,490 --> 00:31:53,490 Aurora! 550 00:31:55,700 --> 00:31:58,670 -How are you? -Man, how are you, Carolina? 551 00:32:00,550 --> 00:32:02,340 -Do you know Fermín? -Hello, Fermin. 552 00:32:02,510 --> 00:32:03,800 -Hello, Aurora. -How are you? How are you? 553 00:32:03,970 --> 00:32:06,390 My friend is a collagist! Show him your collage! 554 00:32:06,560 --> 00:32:09,380 -Look, it's this one, Fermín. -It does wonderful things! 555 00:32:10,560 --> 00:32:12,220 Look, my collage is this, Fermín. 556 00:32:12,260 --> 00:32:15,680 And this is a woman who, if you look at her from below, is naked. 557 00:32:16,020 --> 00:32:17,020 Excellent! 558 00:32:17,250 --> 00:32:19,970 -Excellent! -And then this man, this monster man, 559 00:32:20,200 --> 00:32:22,430 that holds her a little so that she doesn't move, 560 00:32:22,430 --> 00:32:26,040 because the majority of women with AIDS who work in prostitution 561 00:32:26,040 --> 00:32:29,440 It is because their clients or pimps do not use condoms. 562 00:32:30,400 --> 00:32:32,340 AIDS is always more related to men, 563 00:32:32,520 --> 00:32:35,040 but I also wanted to talk about women and AIDS. 564 00:32:35,210 --> 00:32:37,960 -Hey, Fermín, but you sound very familiar to me. -Fermín García López. 565 00:32:38,120 --> 00:32:40,370 -Don't tell me. -Man, he is a super famous painter. 566 00:32:40,540 --> 00:32:41,780 Sure, yes. 567 00:32:42,900 --> 00:32:43,900 And what has become of your life? 568 00:32:44,040 --> 00:32:46,260 I have gone through various stages of painting, 569 00:32:46,680 --> 00:32:48,460 but the world of collage is new to me. 570 00:32:49,320 --> 00:32:50,380 I loved it. 571 00:32:50,380 --> 00:32:52,360 And I have been delighted to meet you and to see you, dear. 572 00:32:52,990 --> 00:32:56,930 -Hey, well, I'm stopping by the workshop one day. -Of course. You are invited. 573 00:32:57,130 --> 00:32:58,810 -Yeah. -We make collage. 574 00:32:59,000 --> 00:33:02,800 -Phenomenal. -Okay? I'd love to. See you later. 575 00:33:11,490 --> 00:33:12,130 Martina. 576 00:33:12,130 --> 00:33:13,130 How are you? 577 00:33:13,250 --> 00:33:15,820 -Piola. And you? -Very good. 578 00:33:17,850 --> 00:33:21,090 What... I just think this is full of people waiting for their appointment. 579 00:33:21,110 --> 00:33:21,910 Yes. 580 00:33:21,910 --> 00:33:23,910 Would you like to go out there and have something on a terrace? 581 00:33:26,030 --> 00:33:27,850 -I prefer to walk a little, honestly. -Okay. 582 00:33:28,030 --> 00:33:31,110 Because if it's not like I feel a little weird, dude... 583 00:33:31,750 --> 00:33:33,910 -job interview. -No, man, no, no. 584 00:33:34,010 --> 00:33:35,930 Come on, let's walk a little. 585 00:33:37,310 --> 00:33:40,710 Sorry, I just, I don't know, this always happens to me a little with Tinder dates... 586 00:33:40,850 --> 00:33:42,590 -No, nothing. -I feel exposed, 587 00:33:42,870 --> 00:33:45,750 as if they were analyzing me, 588 00:33:45,750 --> 00:33:47,070 psychoanalyzing as a potential partner. 589 00:33:47,290 --> 00:33:51,330 -Do you see the psychologist's face on me? -You say no, but you never know. 590 00:33:51,570 --> 00:33:52,730 Yeah, it's true, you never know. 591 00:33:54,530 --> 00:33:57,590 Lavapiés, which is where people came to wash their feet. 592 00:33:57,970 --> 00:34:00,270 They are all very Muslim, so they washed their feet. 593 00:34:00,370 --> 00:34:02,170 Clear. Did you know that it is a way of...? 594 00:34:02,170 --> 00:34:04,350 Washing the feet was a form of gratitude. 595 00:34:04,710 --> 00:34:09,290 -Well no, I'm from Madrid, Madrid. -I mean, you're a cat. 596 00:34:09,470 --> 00:34:12,110 -I mean, not a cat... -Yes, yes, cat. 597 00:34:12,630 --> 00:34:14,730 Well, there is one grandfather who doesn't. There is a grandfather who doesn't. 598 00:34:15,210 --> 00:34:16,230 Are you like from La Pampa? 599 00:34:16,470 --> 00:34:19,270 No, La Pampa, that is, it is in Buenos Aires, but it is not... 600 00:34:21,350 --> 00:34:24,130 It's not that all of Buenos Aires is La Pampa. 601 00:34:24,830 --> 00:34:26,230 -And what style do you paint? -I am a style... 602 00:34:28,260 --> 00:34:31,900 -So... realistic. -Ok. 603 00:34:31,920 --> 00:34:33,540 So, what I do with my videos 604 00:34:33,540 --> 00:34:36,880 is that I enter into dialogue with works by other artists 605 00:34:37,260 --> 00:34:40,440 and I tell how it ends in me, how it ends in my gaze. 606 00:34:40,800 --> 00:34:43,260 Okay, so you do video performance. 607 00:34:43,700 --> 00:34:45,920 Yes, I do video performance and I have the studio in my house. 608 00:34:46,000 --> 00:34:47,980 -But you have a team... -But the craziest thing... 609 00:34:47,980 --> 00:34:49,500 No, no, I do it all alone. 610 00:34:50,000 --> 00:34:53,820 I believe that human beings are not made to be stuck there, right? 611 00:34:53,820 --> 00:34:57,300 Eight or twelve hours in front of a screen, sitting. 612 00:34:57,300 --> 00:35:01,460 No, no, we are made to scratch our necks 613 00:35:01,460 --> 00:35:03,720 while we have a glass of wine watching Succession. 614 00:35:04,140 --> 00:35:05,140 Exact. 615 00:35:05,780 --> 00:35:08,060 I mean, that's why back problems too. 616 00:35:08,260 --> 00:35:09,260 -Total. -TRUE? 617 00:35:09,280 --> 00:35:12,060 I should be like in a lost field in Europe 618 00:35:12,440 --> 00:35:15,100 breaking the skull of a German, a teenager. 619 00:35:15,480 --> 00:35:17,920 And yet, at the end of the day they send you to do an Excel. 620 00:35:17,920 --> 00:35:18,860 Fair. 621 00:35:18,860 --> 00:35:22,340 What I don't quite understand about all this is where you spread your work. 622 00:35:22,540 --> 00:35:25,320 Because it is not a work that you can show in a gallery, right? 623 00:35:25,320 --> 00:35:27,340 Well, I use social networks, I use Instagram 624 00:35:27,700 --> 00:35:29,840 and that allows me to teach it all over the world. 625 00:35:29,980 --> 00:35:32,120 -Oh, of course, of course. -It's like I have my own gallery. 626 00:35:32,460 --> 00:35:34,240 -I have quite a few followers. -How good, how good. 627 00:35:34,340 --> 00:35:37,020 And me, for example, could I be a follower of yours? 628 00:35:37,200 --> 00:35:39,080 -Of course, of course. Yes, yes. -Oh, yes? And what needs to be done? 629 00:35:39,080 --> 00:35:40,020 Nothing, just... 630 00:35:40,020 --> 00:35:42,060 -Excuse me, are you going to pay by card? -Yes, yes. 631 00:35:42,120 --> 00:35:45,420 -Do we pay it halfway? -No, no, let me invite you, please. 632 00:35:45,540 --> 00:35:48,060 -Well, I'll be next, okay? -Okay, yes, come on, very good. 633 00:35:48,080 --> 00:35:50,080 No, it's just... Yes, here. 634 00:35:50,720 --> 00:35:54,640 I find it very interesting, honestly, because... Of course, it's a way of... 635 00:35:54,790 --> 00:35:57,400 -Your pin, gentleman. -My pin? 636 00:36:01,260 --> 00:36:05,080 Che, and how did you go to India? That? 637 00:36:05,420 --> 00:36:08,060 -To paint, to meditate? -I went to paint. 638 00:36:08,360 --> 00:36:11,540 -It was an artistic residency and... -Ah, very good. 639 00:36:11,820 --> 00:36:14,640 Yes, what happens is that in the end, well, after so much time there, 640 00:36:15,180 --> 00:36:18,560 from here to there, well, I have come back poorer than a fucking rat. 641 00:36:19,580 --> 00:36:22,500 Still, I think I can allow myself to invite you... 642 00:36:22,500 --> 00:36:25,740 -to an Indian. -No, we're going halfway. 643 00:36:26,540 --> 00:36:28,820 Let me. Come on, I'm here and you're next. Seem to you? 644 00:36:30,180 --> 00:36:31,180 Oh, okay. 645 00:36:31,360 --> 00:36:32,500 Are you sure there will be another one? 646 00:36:33,740 --> 00:36:34,740 The boy is confident. 647 00:36:35,580 --> 00:36:37,340 What happens... 648 00:36:37,340 --> 00:36:38,760 No, yes, it has to be here. Wait. 649 00:36:39,140 --> 00:36:42,480 What happens is that you don't have a weight split in the middle. 650 00:36:42,480 --> 00:36:43,840 -No, yes, yes. -I invite. 651 00:36:44,100 --> 00:36:45,100 -No no. -I invite you. 652 00:36:45,600 --> 00:36:47,980 No, but it has to be there, I swear. 653 00:36:48,280 --> 00:36:50,600 It's okay, man, Fermín, if those things happen. 654 00:36:50,880 --> 00:36:53,160 -Yes, but the pin thing makes me angry. -Nothing's wrong, man. 655 00:36:53,260 --> 00:36:56,560 -You invite me another day and that's it. -Yes, if I invite you. 656 00:36:56,560 --> 00:36:58,580 It also happens to me sometimes that I get lost with the pins. 657 00:36:58,580 --> 00:37:02,220 -Did you like the exhibition? -Well, I loved the exhibition. 658 00:37:02,320 --> 00:37:03,320 Do you also make collage? 659 00:37:03,400 --> 00:37:05,720 No, the one who makes collage is my daughter Olivia, by the way. 660 00:37:05,900 --> 00:37:08,000 -Oh, yes? -Aurora invited us to her studio. 661 00:37:08,020 --> 00:37:10,520 Do you want to come one day? We're going to go like a Saturday or a Sunday or something like that. 662 00:37:10,520 --> 00:37:11,060 Yes. 663 00:37:11,060 --> 00:37:12,560 Oh, wait. 664 00:37:35,790 --> 00:37:37,890 -Is this your daughter? -Yeah. 665 00:37:38,060 --> 00:37:41,340 The thing is, my mother is Swedish and my daughters also speak Swedish. 666 00:37:41,520 --> 00:37:46,400 Oh, okay, but like... I thought he was your father because of Björk, this. 667 00:37:46,400 --> 00:37:49,020 Oh, no, no, no. The thing is that my last name is actually Gutiérrez, 668 00:37:49,120 --> 00:37:50,960 -But I like Björk more, you know? -Oh, yes? 669 00:37:51,380 --> 00:37:54,480 -Well, of course, it's much cooler. -And it's cooler, so then... 670 00:37:54,660 --> 00:37:56,280 -How wonderful. -...my name is Björk. 671 00:37:56,990 --> 00:37:58,950 -Here. -Oh, great. 672 00:37:59,620 --> 00:38:00,620 Yes. Well, well. 673 00:38:00,780 --> 00:38:02,130 -Come on, a kiss. -A kiss. 674 00:38:03,160 --> 00:38:05,540 -And thank you very much. -Take a rest. Thanks to you. 675 00:38:05,540 --> 00:38:06,540 Yeah. 676 00:38:08,650 --> 00:38:11,810 -Do you live in a garage? -Well, no, it's my studio. 677 00:38:11,990 --> 00:38:12,990 How cool. 678 00:38:12,990 --> 00:38:15,050 Yes, what happens is that when I'm working 679 00:38:15,050 --> 00:38:17,090 in an important creative process, 680 00:38:17,870 --> 00:38:19,370 I prefer not to separate myself from my work. 681 00:38:19,530 --> 00:38:22,870 Hey, whenever you want, let's meet and I'll have a dialogue with your work. 682 00:38:22,950 --> 00:38:25,330 -Sure, whenever you want. -Come on, let's talk. 683 00:38:25,390 --> 00:38:29,150 -Come on, rest. See you later. -Come on. Likewise. See you later. 684 00:38:34,620 --> 00:38:36,810 Hello hello. 685 00:38:37,190 --> 00:38:38,580 Hey, have they left you alone? 686 00:38:38,750 --> 00:38:40,560 -What's wrong with Milei? -Are you fucking with me? 687 00:38:40,730 --> 00:38:44,350 -What about Milei? -Ah, now... Ah, okay, I get it. 688 00:38:44,520 --> 00:38:47,250 You turned out to be a faco. I can't believe it. 689 00:38:47,250 --> 00:38:48,180 Fact of what? 690 00:38:48,180 --> 00:38:50,840 -How do I do what? -Hey, wait, wait, wait. 691 00:38:51,540 --> 00:38:52,850 But what do I do? Yes I am liberal. 692 00:38:52,850 --> 00:38:53,850 -Ah, liberal. -It has nothing to do with it. 693 00:38:55,700 --> 00:38:57,500 Now are you going to explain to me what a liberal is? Dale. 694 00:38:57,840 --> 00:39:00,520 -Mansplain to me, give me. -Let's see, it's not that big of a deal. 695 00:39:00,620 --> 00:39:02,620 In the end what you are is a fucking asshole 696 00:39:02,800 --> 00:39:05,570 that all he does is draw porongas. 697 00:39:05,760 --> 00:39:06,760 Wait. 698 00:39:08,610 --> 00:39:10,610 -Who are you? Were you spying on me? -Pussy. 699 00:39:10,790 --> 00:39:11,790 -No. -Martina! 700 00:39:12,850 --> 00:39:16,270 -Ah, Pablito, the parrot's shell! -Hey, without fail, eh? 701 00:39:16,970 --> 00:39:19,650 -What, are you his dad? -No, no, no, I'm your study partner. 702 00:39:19,790 --> 00:39:21,430 And what are they? A gang of chamulleros? 703 00:39:21,850 --> 00:39:23,630 -What is that? -Liars. 704 00:39:23,750 --> 00:39:24,870 -No, no, no. -I don't believe you anything. 705 00:39:25,170 --> 00:39:27,490 -Are these paintings yours? -No, I hope, I hope. 706 00:39:27,590 --> 00:39:29,270 Well, at least you didn't lie about something, Pablito. 707 00:39:29,650 --> 00:39:30,970 -No, they are not yours either. -Oh, my God. 708 00:39:31,770 --> 00:39:34,010 Go to hell. The truth is that I am an idiot. 709 00:39:35,390 --> 00:39:39,040 Damn, what happened, man? Milei? 710 00:39:39,230 --> 00:39:42,410 Milei, Milei, yes. I never talk about politics again, man, before fucking. 711 00:39:42,580 --> 00:39:45,770 What you don't have to do is talk about Milei, man. Fuck. 712 00:39:46,190 --> 00:39:47,870 But hey, it's really, 713 00:39:48,050 --> 00:39:50,330 How can you think of an Argentinian woman too, man? 714 00:39:50,500 --> 00:39:52,950 Dad, what's Milei's fucking problem? Let's see. 715 00:39:53,120 --> 00:39:54,940 I mean, what problem do you have with Milei? 716 00:39:55,110 --> 00:39:58,660 Damn, I mean, Milei is an ultra-liberal, that is, he favors the very rich. 717 00:39:58,830 --> 00:40:02,390 Ultra, ultra, thunder, mega, chundar, liberal. 718 00:40:02,810 --> 00:40:04,690 He's just a liberal, dad, he's a liberal. He is a liberal. 719 00:40:04,690 --> 00:40:07,370 What is the problem? You are always with the same thing, you are a... 720 00:40:07,370 --> 00:40:10,290 No, the problem is that he is exploiting the working class, dammit. 721 00:40:10,290 --> 00:40:10,930 No, dad. 722 00:40:10,930 --> 00:40:12,830 Even the middle class is ruined. 723 00:40:12,830 --> 00:40:15,210 It is the usual story of socialism. It's quite the opposite. 724 00:40:15,430 --> 00:40:17,510 -But what exactly the opposite? -It's quite the opposite. 725 00:40:17,870 --> 00:40:20,130 Only lies need government subsidies. 726 00:40:20,390 --> 00:40:23,610 -The truth imposes itself. It's like that. -Whose phrase is that? 727 00:40:23,650 --> 00:40:26,330 Well, from Escohotado. Who the hell is it going to belong to? You should read it. 728 00:40:26,440 --> 00:40:27,500 Come on, man, don't bother me. 729 00:40:27,610 --> 00:40:29,470 Dad, we can't talk politics with you. Let's leave it. 730 00:40:29,470 --> 00:40:31,190 Yes, better, better, better. Let's leave it. 731 00:40:32,710 --> 00:40:34,030 -Hey, is this mate? -The mate has been left. 732 00:40:34,430 --> 00:40:38,430 This girl left it to him. Let's see, I've never tried it, I don't know. 733 00:40:40,570 --> 00:40:41,970 Try, try, you have your point. 734 00:40:44,300 --> 00:40:46,280 Let's see if I'm going to get bitter with this one. 735 00:40:47,280 --> 00:40:48,520 Well, how are you with this aunt? 736 00:40:48,960 --> 00:40:51,980 Well, well, the truth is that she is a very interesting woman. 737 00:40:53,060 --> 00:40:56,460 We have been there at the exhibition of some friends of his and... 738 00:40:56,820 --> 00:40:58,160 Well, he knows a lot about art. 739 00:40:59,580 --> 00:41:01,420 It has been very pleasant talking to her, yes. 740 00:41:01,600 --> 00:41:03,600 Good, but interesting, interesting. 741 00:41:04,880 --> 00:41:06,500 What is interesting, interesting? 742 00:41:07,000 --> 00:41:08,280 A, well, so yes... 743 00:41:08,720 --> 00:41:13,000 I don't know if there is something more or if it is just environmentalist. 744 00:41:13,000 --> 00:41:15,780 No, no, no, well, it's just a friendship. 745 00:41:15,900 --> 00:41:18,380 Look, one thing, do you know...? 746 00:41:18,540 --> 00:41:21,240 Could you make me an Instagram of these? 747 00:41:22,240 --> 00:41:25,040 -An Instagram? -Yes, she is on Instagram... 748 00:41:25,040 --> 00:41:26,820 Are you going to become an influencer now too? 749 00:41:26,900 --> 00:41:28,600 No, no, no. No, well, I don't know. 750 00:41:28,680 --> 00:41:29,940 I just don't know how to handle that. 751 00:41:31,620 --> 00:41:33,040 And can she be tagged? 752 00:41:33,880 --> 00:41:36,320 -What's it called? -Catalina Björk. 753 00:41:38,980 --> 00:41:41,560 Catherine Björk. Like the singer? 754 00:41:41,560 --> 00:41:42,680 Yes, like the singer, yes. 755 00:41:43,780 --> 00:41:47,080 -Let's see, it's... is it? -Yes, yes, yes, yes. 756 00:41:48,380 --> 00:41:50,700 -Do you see that little heart there? -Yeah. 757 00:41:50,700 --> 00:41:54,280 -Well, that's called giving a like. -And if I give her a like, will she find out? 758 00:41:54,720 --> 00:41:56,000 Of course, in fact, that's what it's for. 759 00:41:56,940 --> 00:41:58,960 The thing is that you don't like everything either, 760 00:41:59,140 --> 00:42:00,500 man, because you're going to look like a stalker. 761 00:42:00,620 --> 00:42:02,300 -A what? -A stalker. 762 00:42:02,520 --> 00:42:04,060 No, no, no. Not a stalker. 763 00:42:04,960 --> 00:42:05,960 No, no, no. 764 00:42:07,750 --> 00:42:10,590 -But do you think this aunt...? -This aunt what? 765 00:42:11,310 --> 00:42:13,010 Nothing, well I don't know, that... 766 00:42:13,010 --> 00:42:16,830 Like, she's really cute and stuff, and maybe you're going crazy, right? 767 00:42:17,010 --> 00:42:19,010 -As you always do. -Don't bother me, man. 768 00:42:19,210 --> 00:42:22,450 -I mean, she's just a friend, that's it. -Okay, well yes, yes. 769 00:42:22,620 --> 00:42:23,620 Well. 770 00:42:23,870 --> 00:42:25,630 Well, I'm going to go, I'm staying. 771 00:42:26,150 --> 00:42:28,150 -Have you stayed? -I've met one, yes. 772 00:42:28,310 --> 00:42:30,050 -With another? -It is less than two kilometers away. 773 00:42:30,110 --> 00:42:32,910 -But what is that, like a map or something like that? -It's like a map, yes. 774 00:42:33,130 --> 00:42:35,770 Hey, but damn, we haven't finished the painting. 775 00:42:35,770 --> 00:42:38,110 We don't even know what we are going to paint. 776 00:42:38,490 --> 00:42:42,270 Well, for now we have a dick. Tomorrow we'll see what we do. I mean, I don't know. 777 00:42:42,750 --> 00:42:45,270 Well, it's not necessary all the time, it's now two in the morning. 778 00:42:45,270 --> 00:42:46,270 Okay, okay, okay. 779 00:42:46,650 --> 00:42:48,730 And all this, damn it, is shit. 780 00:42:48,790 --> 00:42:50,430 And this nothing, I'll pick this up tomorrow morning. 781 00:42:50,970 --> 00:42:51,970 -Yeah? -Don't worry. 782 00:42:52,050 --> 00:42:53,050 -Okay. -Come on. 783 00:42:54,190 --> 00:42:55,770 Ah, leave me the card, dammit. 784 00:42:55,910 --> 00:42:57,970 The card, damn it. You have to give me the pin. 785 00:42:57,990 --> 00:43:00,270 -Yeah. -And you don't take it away from me. 786 00:43:00,440 --> 00:43:02,870 Take it off? But I did tell you that I would fuck you. 787 00:43:03,040 --> 00:43:05,340 -I won't get involved. -Because you don't listen to me. 788 00:43:05,730 --> 00:43:08,530 Brown there with the Argentine, male. You pay, I pay and in the end... 789 00:43:08,610 --> 00:43:10,240 -No. -Red like a tomato. Well... 790 00:43:10,240 --> 00:43:14,550 Don't worry, okay? We have this contest. 791 00:43:14,650 --> 00:43:16,650 -Okay. -100%. 792 00:43:53,860 --> 00:43:56,210 Hey, out, out. 793 00:43:58,820 --> 00:43:59,820 Out, out. 794 00:44:37,350 --> 00:44:39,650 -What's wrong, Vishnu? -Pablo. 795 00:44:39,870 --> 00:44:42,450 -What's happening? -Hey, do you have the card? 796 00:44:42,870 --> 00:44:45,390 -Yes, why? -Yeah. No, no, it's just... 797 00:44:45,390 --> 00:44:46,550 What is all this you have done here? 798 00:44:46,850 --> 00:44:49,410 No, I have to pay a fine that I received there. 799 00:44:50,210 --> 00:44:52,190 Yeah. Because the police came in on me, man. 800 00:44:53,030 --> 00:44:55,030 -Have the police entered you? -Yes, I was investigating 801 00:44:55,030 --> 00:44:58,070 about Philip II and the Garden of Earthly Delights, you know. 802 00:45:00,030 --> 00:45:02,150 All that, the... I put real porn, okay? 803 00:45:02,250 --> 00:45:05,030 and suddenly I got a real porn page. 804 00:45:05,030 --> 00:45:09,490 And nothing, at the moment... Look what I got, man, damn it. 805 00:45:09,990 --> 00:45:12,410 -Let's see... -They ask me for pasta and such. 806 00:45:12,430 --> 00:45:15,510 No, damn, dad, no, damn, but if this is what... This is a scam. 807 00:45:15,690 --> 00:45:16,690 A scam from whom? 808 00:45:16,710 --> 00:45:18,550 Well, Nigerians, Russians, who knows... 809 00:45:18,550 --> 00:45:21,770 But it does have the seal of the National Police and everything. 810 00:45:22,390 --> 00:45:24,130 Yes, of course, because they do it... 811 00:45:24,130 --> 00:45:26,210 Although this one is a bit cheesy I have to say, but... 812 00:45:26,210 --> 00:45:28,870 Sure? But damn, don't tell me, I mean... 813 00:45:29,430 --> 00:45:31,250 Here you are, the National Police itself, 814 00:45:31,470 --> 00:45:34,210 a tweet saying this is a scam. 815 00:45:34,210 --> 00:45:37,490 In fact, look, it's the same screenshot, the same thing you've seen. 816 00:45:38,370 --> 00:45:39,370 -Fuck. -Relax. 817 00:45:40,130 --> 00:45:41,410 Damn, really. 818 00:45:41,830 --> 00:45:44,990 And when you get into porn, then get into regular ones, right? 819 00:45:45,140 --> 00:45:48,100 What do I know, on xvideos, on Pornhub, on this... 820 00:45:48,250 --> 00:45:50,130 But I'm not getting into porn, man. 821 00:45:50,230 --> 00:45:51,790 You got into the first thing that came out there. 822 00:45:52,050 --> 00:45:54,770 Well, I mean, don't scold me now either. 823 00:45:54,770 --> 00:45:57,590 Portrait of Geraldine Chaplin by Antonio Saura. 824 00:45:58,810 --> 00:46:01,390 One of the founders of the group "El Paso". 825 00:46:02,090 --> 00:46:03,090 Chusa? 826 00:46:04,650 --> 00:46:07,310 -Is this art or can I throw it away? -Please, not now. 827 00:46:10,650 --> 00:46:12,090 He asks if the painter is alive. 828 00:46:12,110 --> 00:46:14,750 No, no, no. Saura passed away a few years ago. 829 00:46:20,790 --> 00:46:21,790 Good. 830 00:46:23,190 --> 00:46:24,890 "Scar", by Rafael Canogar. 831 00:46:25,690 --> 00:46:28,130 Another historic Spanish abstract painter. 832 00:46:30,450 --> 00:46:32,910 They ask if they can see his studio, can they visit him. 833 00:46:33,050 --> 00:46:37,870 Ah, no, no, no, it's far, quite far away, in Toledo. 834 00:46:40,360 --> 00:46:44,800 Let's see, Pepa, what they want is to know if the artist is alive, 835 00:46:45,160 --> 00:46:47,680 if you can take selfies with him, visit his studio, 836 00:46:48,640 --> 00:46:50,280 because that's how your work is revalued, right? 837 00:46:50,280 --> 00:46:53,360 An artist who is also about to visit San Pedro, right? 838 00:47:15,900 --> 00:47:18,300 -Who is it? -It's me. 839 00:47:18,760 --> 00:47:19,760 I bring you a little something. 840 00:47:21,320 --> 00:47:23,320 -Who is it? -Your mother. 841 00:47:23,510 --> 00:47:25,100 Gallery owner. 842 00:47:28,620 --> 00:47:29,620 Churritos! 843 00:47:30,300 --> 00:47:31,720 I know it's a little late, but oh well. 844 00:47:34,400 --> 00:47:36,420 Don't tell me you just woke up. 845 00:47:37,380 --> 00:47:38,560 But do you know what time it is? 846 00:47:38,780 --> 00:47:41,040 Yesterday I stayed up very late working. 847 00:47:41,240 --> 00:47:44,150 Already. Here, put them on a little plate, go ahead. 848 00:47:44,400 --> 00:47:45,400 Make coffee, son. 849 00:47:46,100 --> 00:47:49,540 The thing is that because I work better at night, I'm better at it, I concentrate more. 850 00:47:49,540 --> 00:47:51,100 Well, the news. 851 00:47:52,600 --> 00:47:55,920 Some Chinese collectors are interested in one of your works, Fermín. 852 00:47:56,140 --> 00:47:58,720 -Oh, yes? -Yeah. In one of your Pollocks. 853 00:47:59,100 --> 00:48:01,020 But first they would like to take some selfies, 854 00:48:01,460 --> 00:48:03,220 -take a look at the studio, you know. -Okay. 855 00:48:03,920 --> 00:48:06,440 -If you don't mind, right? -No, I don't care. Do they have money? 856 00:48:06,640 --> 00:48:09,000 And hurry. They come for four days and want to see everything. 857 00:48:09,260 --> 00:48:13,380 The Prado Museum, the Segovia Aqueduct, the Valley of the Fallen, everything. 858 00:48:14,080 --> 00:48:16,120 They want an artist who is about to break it, 859 00:48:16,180 --> 00:48:18,980 You know, to have a quick revaluation and stuff. 860 00:48:19,260 --> 00:48:20,840 -Fuck, Pepa. -No problem. 861 00:48:20,840 --> 00:48:21,840 You know how this works. 862 00:48:21,940 --> 00:48:23,280 Don't take it personally. 863 00:48:23,340 --> 00:48:25,360 How can I not take it personally? 864 00:48:25,520 --> 00:48:27,760 I remind you that you are not in a position to look great. 865 00:48:28,060 --> 00:48:30,000 -Now you have to be on stand-by. -That? 866 00:48:30,480 --> 00:48:32,740 Don't move from here because I can bring them to you at any time. 867 00:48:32,740 --> 00:48:35,840 -To whom? -To the Chinese, Fermín. To the Chinese. 868 00:48:35,840 --> 00:48:38,200 -Ah, okay, okay. -Well, so what? How is your garden doing? 869 00:48:38,820 --> 00:48:39,820 Good. 870 00:48:45,550 --> 00:48:46,790 I mean... 871 00:48:49,710 --> 00:48:50,710 Really? 872 00:48:50,730 --> 00:48:52,310 -What's happening? -I just can't believe it. 873 00:48:53,150 --> 00:48:55,590 But what do we have now, Fermín, five years? 874 00:48:55,590 --> 00:48:57,710 No, no, if this covers it now, man, if it's the bottom. 875 00:48:57,850 --> 00:48:59,290 Hey, shut up, shut up, please shut up. 876 00:49:00,090 --> 00:49:01,310 Don't you have something else on your mind? 877 00:49:02,150 --> 00:49:03,670 And then it bothers you that I call you Ferminga. 878 00:49:06,070 --> 00:49:08,810 Please, give your father a coffee and see if he wakes up and starts painting. 879 00:49:09,690 --> 00:49:12,090 You have 17 days to make the triptych, Fermín. 880 00:49:12,790 --> 00:49:15,530 17 days, male. And we have no idea what we're going to do. 881 00:49:15,730 --> 00:49:16,730 Yes. 882 00:49:17,130 --> 00:49:19,030 -This Catalina hit you hard. -That? 883 00:49:19,670 --> 00:49:22,070 No, no, no. I'm here, well, killing time. 884 00:49:22,290 --> 00:49:24,850 Yes, yes. Becoming an Instagrammer, that's what you're going to do. 885 00:49:25,310 --> 00:49:27,330 But be careful, the aunts can smell this. 886 00:49:27,510 --> 00:49:29,350 -Since you are so obsessed... -Do they smell it? 887 00:49:29,550 --> 00:49:32,740 -They smell it, they smell it. -No. Well, I don't know, you know about that, right? 888 00:49:32,740 --> 00:49:34,930 because, damn, you don't stop flirting, man. 889 00:49:35,010 --> 00:49:38,470 No, yes, that's what it looks like from the outside, but then it doesn't amount to anything. 890 00:49:38,670 --> 00:49:39,670 -Aren't you finishing? -No. 891 00:49:39,840 --> 00:49:42,110 At the last moment I remember Estela all the time. 892 00:49:42,280 --> 00:49:43,990 I have to make up an excuse. 893 00:49:44,160 --> 00:49:47,240 -What if Milei, what if... -Well, look, forget about Estela, man. 894 00:49:47,410 --> 00:49:49,190 -No, yes, I already know. -Come on, let's get to this. 895 00:49:49,330 --> 00:49:50,990 -What can we do? -Let's see... 896 00:49:50,990 --> 00:49:53,510 We had said that corruption didn't work, right? 897 00:49:53,770 --> 00:49:56,950 No, because Hell was filling us, Heaven was emptying us. 898 00:49:56,950 --> 00:50:00,290 Well, what we can do is paint the background in the meantime, 899 00:50:00,390 --> 00:50:03,610 the little trees, the little lakes and such, and let's see if we can think of something, right? 900 00:50:04,710 --> 00:50:05,930 We can do the same as painters. 901 00:50:06,510 --> 00:50:07,970 -Of painters? -Yes, I don't know. 902 00:50:08,510 --> 00:50:11,010 Well, that would be fine, but there are so many painters 903 00:50:11,010 --> 00:50:14,190 that we would end up making an encyclopedia of art. 904 00:50:14,510 --> 00:50:15,510 No, I know, right? 905 00:50:15,510 --> 00:50:18,290 Do you realize that this is like Europe, man, the eastern flake? 906 00:50:18,850 --> 00:50:20,770 -Yeah. -Look, France, Spain... 907 00:50:20,770 --> 00:50:21,930 It's true, damn it, it's true. 908 00:50:22,590 --> 00:50:24,470 We can do the same with Spanish painters. 909 00:50:24,710 --> 00:50:26,610 -Spanish painters? -To narrow it down a bit. 910 00:50:26,610 --> 00:50:30,510 Yes, very good idea. Okay. And who would we put in Paradise? 911 00:50:30,990 --> 00:50:32,990 -Velazquez. -Goya. 912 00:50:33,290 --> 00:50:36,070 -Zurbarán. -Sorolla, Ribera. 913 00:50:36,070 --> 00:50:37,750 Okay, that's covered. 914 00:50:38,370 --> 00:50:40,470 -In the center. -In the center, in the present, yes. 915 00:50:40,630 --> 00:50:43,250 -Well, Antoñito López, right? -Antonio López of course. 916 00:50:43,420 --> 00:50:46,820 -And then, the classics, Dalí, Miró... -Miró. Okay. 917 00:50:46,980 --> 00:50:48,740 -Picasso. -No, no, not Picasso. 918 00:50:48,900 --> 00:50:50,710 Picasso was a tremendous son of a bitch, to Hell. 919 00:50:50,870 --> 00:50:53,810 Well, yeah, but we're just talking about the artistic thing. 920 00:50:53,970 --> 00:50:55,430 -We forget the rest, right? -Okay. 921 00:50:55,750 --> 00:50:59,010 And in Hell. In Hell, who I put is... 922 00:50:59,470 --> 00:51:01,430 -Renoir. -Renoir? But Renoir is French, man. 923 00:51:01,890 --> 00:51:04,370 Already. Well, but we can make an exception, right? 924 00:51:04,590 --> 00:51:05,850 -One exception or several. -Or several. 925 00:51:06,060 --> 00:51:10,660 -We can put in... Damien Hirst. -Damien Hirst, Jeff Koons... 926 00:51:10,880 --> 00:51:13,880 -Tracey Emin. -Tracey Emin. Okay. 927 00:51:14,090 --> 00:51:15,190 -End of cycle! -Ah, end of the century, he says. 928 00:51:15,410 --> 00:51:17,310 Ah, let's bring in artists from the end of the century. 929 00:51:17,370 --> 00:51:20,490 Artists of the end of the century, of course. Who could be from the end of the century? 930 00:51:20,650 --> 00:51:21,870 No no. Finished! 931 00:51:22,870 --> 00:51:24,870 -End of cycle! -Ah, sorry, thank you. 932 00:51:24,890 --> 00:51:26,110 -Yes, yes. -Yes, yes, sorry. 933 00:51:26,130 --> 00:51:27,130 -Thank you. -Thank you. 934 00:51:27,300 --> 00:51:29,710 -Hosts. -Hosts. Everything has been dyed, man. 935 00:51:29,870 --> 00:51:32,410 The Indian shirt. Let's look like hare krishnas. 936 00:51:32,580 --> 00:51:33,660 Oysters. 937 00:52:23,350 --> 00:52:26,910 The one who has the ideas is the one who plays the music. 938 00:52:36,560 --> 00:52:38,130 Explain... 939 00:52:48,550 --> 00:52:51,790 I'm thinking the painter thing isn't going to work, man. 940 00:52:53,250 --> 00:52:54,250 By? 941 00:52:54,650 --> 00:52:58,790 No, because you have to paint them very small and they will not be recognized. 942 00:52:59,790 --> 00:53:01,770 Do you know, for example, the face that Zurbarán had? 943 00:53:02,850 --> 00:53:06,610 Or the ones from Hell, the Jeff Koons and the Damien Hirst and these people? 944 00:53:06,710 --> 00:53:09,770 -Yes, that is, no. -By the way, what is this here? 945 00:53:11,500 --> 00:53:15,380 -Saturn devouring his son. -Saturn, but if he looks like me, damn. 946 00:53:15,550 --> 00:53:19,110 Hey, will you stop that, please? I mean, we're not going to make it, man. 947 00:53:19,210 --> 00:53:22,170 Okay, okay, okay. I'm going to change the music, man, this is a pain. 948 00:53:23,090 --> 00:53:25,830 -And here the one who paints chooses the music, right? -Well. 949 00:53:39,220 --> 00:53:41,220 -You're pissed off. -I'm not angry. 950 00:53:41,400 --> 00:53:43,500 -Well, you're in a bad mood. -You make me angry. 951 00:53:43,580 --> 00:53:46,420 -Ah, am I making you angry? -Yeah. You come here, you invade my house, 952 00:53:46,520 --> 00:53:48,680 you drink my beers, you smoke my joints 953 00:53:48,680 --> 00:53:50,100 and on top of that I have to endure 954 00:53:50,100 --> 00:53:52,320 all your far-right conspiracy theories. 955 00:53:52,360 --> 00:53:54,680 What extreme right, dad? Is everything you don't like extreme right? 956 00:53:54,780 --> 00:53:56,420 -It's fascism, Pablo. -Ah, yes, it is fascism. 957 00:53:56,480 --> 00:53:59,300 Look, dad, fascism doesn't exist, right? It hasn't existed for years. 958 00:53:59,420 --> 00:54:01,200 In other words, everything has to be renamed fascism. 959 00:54:01,200 --> 00:54:03,040 because if not, the beach bar will collapse. 960 00:54:11,000 --> 00:54:13,660 I love liberalism, it is a wonderful theory. 961 00:54:13,780 --> 00:54:16,720 Dad, liberalism is the only system that believes in the goodness of human beings. 962 00:54:16,860 --> 00:54:19,060 Not like socialism, which believes that we are sons of bitches 963 00:54:19,060 --> 00:54:20,440 that we are going to take advantage of everyone. 964 00:54:20,480 --> 00:54:21,660 And we are not? 965 00:54:21,660 --> 00:54:23,400 Well, maybe yes, damn it, but dad, socialism... 966 00:54:23,400 --> 00:54:26,800 -Don't explain to me what socialism is. -Okay, well it's misanthropic. 967 00:54:27,040 --> 00:54:27,540 Misanthrope. 968 00:54:27,540 --> 00:54:30,260 Do you think we need a guy who is above us, 969 00:54:30,360 --> 00:54:32,120 that is telling us what we have and what we don't have to do? 970 00:54:32,160 --> 00:54:34,580 -That is democracy, Pablo. -I shit on democracy. 971 00:54:37,150 --> 00:54:40,490 You are irresponsible, Pablo. You do what comes to mind. 972 00:54:40,630 --> 00:54:43,870 You know perfectly well that even if I spend 12 hours working, 973 00:54:44,210 --> 00:54:46,450 In this profession I am not going to charge anything. 974 00:54:46,670 --> 00:54:48,590 Either I'm putting glasses or I'm painting... 975 00:54:48,590 --> 00:54:51,190 Well, what are you going to tell me? How do you think I have gotten ahead? 976 00:54:51,370 --> 00:54:53,310 I don't know, without a devouring father, maybe. 977 00:54:53,570 --> 00:54:55,590 A devouring father. I am Saturn. 978 00:54:55,990 --> 00:54:56,990 Eating my children. 979 00:54:57,050 --> 00:54:59,550 And a lady who has been giving you presentations since day one. 980 00:55:03,050 --> 00:55:05,650 I could have become a state attorney or some shit like that. 981 00:55:05,870 --> 00:55:09,030 But no, but no. Of course, since the child is good at painting, 982 00:55:09,370 --> 00:55:11,050 -Well, you have to encourage him. Look, baby... -Because it's true. 983 00:55:11,050 --> 00:55:12,730 Why aren't you a painter like your father? 984 00:55:12,990 --> 00:55:16,710 -You're damn good at it, Pablo. -I'm good at it, I'm good at it, Dad. 985 00:55:16,710 --> 00:55:18,970 You just have no idea how things are going, dammit. 986 00:55:19,370 --> 00:55:22,270 Right now it doesn't matter if you're good at it, it doesn't matter if you're a good painter. 987 00:55:22,470 --> 00:55:25,690 Now what matters are the followers, the likes, the green hair, the character... 988 00:55:25,850 --> 00:55:28,750 Look, Pablo, we have helped you everything we could. 989 00:55:29,110 --> 00:55:31,650 You haven't helped at all, 990 00:55:31,790 --> 00:55:33,910 not a single exhibition in mom's gallery. 991 00:55:34,110 --> 00:55:36,470 What do you want us to do? We can't do everything for you. 992 00:55:36,850 --> 00:55:38,970 You also have to have your own life, 993 00:55:39,170 --> 00:55:41,410 that is, your own independence, your own initiative. 994 00:55:41,470 --> 00:55:43,770 -I'm going to go, okay? I'm going to go. -Are you going to leave? 995 00:55:43,770 --> 00:55:46,390 -Yes, I'm leaving. -Well, if you leave, don't come back. 996 00:55:48,250 --> 00:55:51,270 Wait, wait, wait. Leave me the card. 997 00:55:52,290 --> 00:55:53,290 My card? 998 00:55:53,710 --> 00:55:56,430 Yes, because the money on the card is to paint the picture. 999 00:56:19,400 --> 00:56:22,720 Come on, let's do a simple roll. Past, present, future. 1000 00:56:23,180 --> 00:56:25,900 No! Wait, wait, wait. The toll on the spirits. 1001 00:56:26,140 --> 00:56:27,140 What toll? 1002 00:56:27,240 --> 00:56:28,900 The toll that must be paid to the spirits. 1003 00:56:29,540 --> 00:56:32,720 Can't you pay with spiritual money or with...? 1004 00:56:32,930 --> 00:56:35,670 -No, no, no. -Ah, okay. 1005 00:56:35,880 --> 00:56:36,880 Metal. 1006 00:56:36,880 --> 00:56:39,780 -Shall I make you a bizum now? -Whenever you want, but yes. 1007 00:56:40,100 --> 00:56:41,100 -I'll do it later. -Okay. 1008 00:56:41,200 --> 00:56:43,680 -It's not going to be that I don't like it. -Uh... past. The first. 1009 00:56:45,060 --> 00:56:46,060 The lovers. 1010 00:56:47,340 --> 00:56:51,000 Lovers is a card that could mean a love relationship... 1011 00:56:52,680 --> 00:56:54,020 exciting, exciting 1012 00:56:56,460 --> 00:56:59,140 -That's good, isn't it? -If it hadn't come out the wrong way. 1013 00:57:00,260 --> 00:57:02,360 So it means something more philosophical, 1014 00:57:02,540 --> 00:57:05,620 kind that love shouldn't be so much the end 1015 00:57:05,620 --> 00:57:08,660 -as the way forward. -How beautiful. 1016 00:57:08,680 --> 00:57:09,680 Very good, present. 1017 00:57:12,360 --> 00:57:14,460 Damn, conflict. 1018 00:57:14,640 --> 00:57:17,180 Unsatisfied desires, fears, 1019 00:57:18,120 --> 00:57:19,960 useless efforts you may be making. 1020 00:57:20,130 --> 00:57:21,990 I'm a great party. 1021 00:57:22,160 --> 00:57:24,620 -But Saturn also wants to tell you... -Saturn? 1022 00:57:24,620 --> 00:57:27,900 Yes, this card symbolizes Saturn in Leo. 1023 00:57:28,640 --> 00:57:31,320 And he is trying to tell you that you can solve all of this step by step. 1024 00:57:31,940 --> 00:57:34,460 Okay. It makes sense, but is there a solution to this? 1025 00:57:34,500 --> 00:57:36,760 No, of course, everything has a solution. Except death. 1026 00:57:37,480 --> 00:57:40,040 Future. I am very curious about the future. 1027 00:57:40,420 --> 00:57:41,880 -Goes. -Ok, go. 1028 00:57:43,100 --> 00:57:44,860 Their dead! 1029 00:57:45,800 --> 00:57:48,140 -Everything has a solution except death. -Minus death. 1030 00:57:48,420 --> 00:57:51,690 Indeed. No, but it's a nice letter, huh? 1031 00:57:51,690 --> 00:57:55,680 Because it means renewal, 1032 00:57:55,680 --> 00:57:57,540 beginnings, rebirth. 1033 00:57:57,800 --> 00:57:58,620 Yeah? 1034 00:57:58,620 --> 00:58:01,240 -How do you sharpen everything, huh? -No, no, no, it's the letters. 1035 00:58:01,240 --> 00:58:02,080 Yes, yes. 1036 00:58:02,080 --> 00:58:03,600 It also means that there may be 1037 00:58:03,600 --> 00:58:06,720 some relationship in the past that you need to close. 1038 00:58:07,380 --> 00:58:10,440 You have to do it as if accepting the pain that that means. 1039 00:58:11,660 --> 00:58:13,660 -Okay. -Yeah? 1040 00:58:14,180 --> 00:58:17,580 -Everything has a price. -Yes, well, death had a price. 1041 00:58:17,600 --> 00:58:19,060 Yes, specifically five euros, 1042 00:58:19,230 --> 00:58:22,210 You have to give me a bizum right now. 1043 00:58:37,180 --> 00:58:40,220 -Damn, what a shame it's cloudy. -Did you want to see the stars? 1044 00:58:40,240 --> 00:58:42,240 -Don't you? -Yeah. 1045 00:58:43,140 --> 00:58:46,360 Look. If you want I can tell you the constellations. 1046 00:58:46,680 --> 00:58:48,740 -There it is... -If you don't have one, you have no fucking idea. 1047 00:58:48,900 --> 00:58:50,400 Well, it's cloudy, you'll never know. 1048 00:58:50,780 --> 00:58:54,520 Look, Sagittarius. There among that cloud... 1049 00:58:54,840 --> 00:58:57,940 Yes. Look, and right there on the right, 1050 00:58:58,000 --> 00:59:00,840 -on the other side of the branch, Cassiopeia. -Yes of course. 1051 00:59:01,120 --> 00:59:02,120 Cassiopeia is there. 1052 00:59:02,340 --> 00:59:05,120 Because in the end I take out the constellations, ghost, 1053 00:59:05,120 --> 00:59:06,180 and I dismount you. 1054 00:59:07,720 --> 00:59:10,240 Can you imagine they are passing a deck of shooting stars 1055 00:59:10,420 --> 00:59:13,060 and right now we are missing them through the roof? 1056 00:59:13,440 --> 00:59:14,840 But isn't that what happens all the time? 1057 00:59:16,200 --> 00:59:17,200 Well yes. 1058 00:59:18,720 --> 00:59:19,720 It's also true. 1059 00:59:22,470 --> 00:59:26,090 Did you know that depending on their composition they leave a different color in their wake? 1060 00:59:27,970 --> 00:59:30,210 -Of wake? -Yes, that queue they leave... 1061 00:59:30,210 --> 00:59:32,030 Yes, yes, yes, no, no, I do know what a stele is. 1062 00:59:37,050 --> 00:59:39,990 -All good? -Yes, huh? 1063 00:59:39,990 --> 00:59:40,990 I can't live without you, there is no way... 1064 00:59:41,070 --> 00:59:43,270 Wow, I love this topic! I love it! 1065 00:59:43,270 --> 00:59:47,030 -Did you put it in? -No, Spotify put it on, I think. 1066 00:59:47,790 --> 00:59:50,850 Well... Have you seen my cell phone? 1067 00:59:51,470 --> 00:59:52,590 Uh... No. 1068 00:59:52,970 --> 00:59:53,970 Before. 1069 00:59:55,370 --> 00:59:59,250 -Hey... Can you call me? -Yes, I'm calling. 1070 01:00:00,150 --> 01:00:03,230 -Are you sure it's not there? -I don't know. Ah... 1071 01:00:03,650 --> 01:00:05,850 Look, I think it's this one. 1072 01:00:07,210 --> 01:00:08,430 Well... 1073 01:00:11,890 --> 01:00:13,990 -Are you okay? -Yes, yes, yes. 1074 01:00:20,640 --> 01:00:23,300 -I wanted to tell you something, but... -Yes, tell me. 1075 01:00:24,820 --> 01:00:27,240 -Well, it doesn't matter. No, no, no. -No what? 1076 01:00:27,240 --> 01:00:30,000 -No, no, no, no, nothing. It's just... no. -What, what, what? 1077 01:00:30,000 --> 01:00:32,300 -No, it's nonsense. No, no, no. -Well, but I like nonsense. 1078 01:00:35,180 --> 01:00:40,060 Well, there's like a... a run-run all the time. 1079 01:00:40,680 --> 01:00:41,680 -A run-run? -Yeah. 1080 01:00:42,720 --> 01:00:43,680 What a run-run? 1081 01:00:43,680 --> 01:00:47,820 A run-run as well as... 1082 01:00:48,380 --> 01:00:51,060 -That? -Just like we're going to fuck and I... 1083 01:00:51,060 --> 01:00:52,020 Oh, no, no, no, no, no, no. 1084 01:00:52,020 --> 01:00:54,060 -No? -No no. 1085 01:00:54,060 --> 01:00:55,060 No no. 1086 01:01:00,650 --> 01:01:02,230 Hello, Catherine. 1087 01:01:03,230 --> 01:01:07,150 Whenever you want we do our dialogue. 1088 01:01:33,180 --> 01:01:35,170 Maybe... 1089 01:01:36,180 --> 01:01:38,800 -No, that... -I knew it, I knew it. 1090 01:01:41,580 --> 01:01:43,580 No, if that... 1091 01:01:45,220 --> 01:01:46,400 I'm a little uncomfortable. 1092 01:01:46,500 --> 01:01:48,780 Do you mind taking me to a bus stop? 1093 01:01:49,680 --> 01:01:50,680 No. 1094 01:01:50,900 --> 01:01:51,940 -Ok. -No no. 1095 01:01:52,540 --> 01:01:53,540 I mean, no, no. 1096 01:02:02,660 --> 01:02:04,020 Fermín, hey, one thing. 1097 01:02:04,740 --> 01:02:06,740 Can we meet tomorrow on the usual terrace? 1098 01:02:07,360 --> 01:02:10,200 To drink coffee. Coffee or whatever. 1099 01:02:10,820 --> 01:02:11,820 Come on, you tell me. 1100 01:02:12,640 --> 01:02:13,640 A hug. 1101 01:02:47,610 --> 01:02:50,210 Well, what was that important thing you had to tell me? 1102 01:02:50,210 --> 01:02:54,210 Well, what do I know... I'll tell you, I'll tell you. I'm thinking about making a decision, 1103 01:02:54,290 --> 01:02:56,650 an important decision and I wanted to talk about it with you 1104 01:02:56,650 --> 01:02:59,380 because you, Fermín, you are my best friend, you know that, right? 1105 01:02:59,380 --> 01:03:02,290 -Yes, yes, yes, of course. -Well, then... 1106 01:03:05,450 --> 01:03:07,310 I'm thinking about separating from Julieta. 1107 01:03:07,670 --> 01:03:10,690 Don't bother. But you were the perfect couple. 1108 01:03:10,930 --> 01:03:13,670 -We called you Romeo, remember. -Not perfect or anything. 1109 01:03:13,710 --> 01:03:15,830 I can't take it anymore. Control, Fermín. The control. The control. 1110 01:03:15,870 --> 01:03:18,930 That I can't, it's unbearable. It is an unbearable control. 1111 01:03:19,230 --> 01:03:20,570 All the time calling me on the phone. 1112 01:03:20,630 --> 01:03:22,670 And since I have this amazing hearing aid, 1113 01:03:22,810 --> 01:03:25,610 Well, it rings in my ear all the time. And you don't know how I admire you. 1114 01:03:26,070 --> 01:03:29,430 Because you realized in time and separated, which is what it is. 1115 01:03:29,450 --> 01:03:30,770 And there is another thing that I tell you. 1116 01:03:31,490 --> 01:03:35,330 We no longer fuck anything at all, but nothing. 1117 01:03:35,330 --> 01:03:36,330 -It's just that at your age, Antonio. -What age or what the hell. 1118 01:03:36,400 --> 01:03:37,420 Yes, very recently we were fucking like crazy. 1119 01:03:37,510 --> 01:03:39,070 Like crazy, we were fucking. Like crazy. 1120 01:03:39,490 --> 01:03:41,990 What's happening? Oh, I'm talking loudly. 1121 01:03:42,070 --> 01:03:44,950 If I don't control this earpiece, I haven't gotten the hang of it yet. 1122 01:03:45,390 --> 01:03:46,650 I shit on his father, really. 1123 01:03:47,410 --> 01:03:49,750 -Excuse me, can I take it? -Yes, yes, yes. 1124 01:03:49,930 --> 01:03:51,090 Thank you. 1125 01:03:52,030 --> 01:03:53,030 Have you noticed it? 1126 01:03:53,030 --> 01:03:55,650 -The fact that? -The perfume. This girl's perfume. 1127 01:03:57,490 --> 01:04:00,750 -I chase the smells of the wind... -Machado. 1128 01:04:00,990 --> 01:04:02,030 No, Miguel Hernandez. 1129 01:04:02,030 --> 01:04:04,830 My eyes without your eyes are not eyes, 1130 01:04:05,430 --> 01:04:08,230 -which are solitary anthills. -Sorry. 1131 01:04:08,430 --> 01:04:10,400 Yeah, what's up? Take it, I'm going to look for it here. 1132 01:04:10,400 --> 01:04:11,730 Catherine? Yes. Let's see. 1133 01:04:12,570 --> 01:04:15,270 "My eyes without your eyes", poem by Miguel Hernández. 1134 01:04:16,490 --> 01:04:21,410 Maybe today it would be good for you if we took the photos and the video performance? 1135 01:04:21,950 --> 01:04:25,610 Yes, great, the video performance, of course, yes, yes, of course. 1136 01:04:25,760 --> 01:04:27,680 It's just that I'm a little bit like that, that I go on the fly. 1137 01:04:27,830 --> 01:04:30,150 Yes, no, no, I don't care, I mean, I like it too 1138 01:04:30,150 --> 01:04:33,030 have these types of spontaneous decisions, 1139 01:04:33,170 --> 01:04:35,150 I mean, all of that is very good, yes, yes, yes, yes. 1140 01:04:35,770 --> 01:04:38,670 -Is it good for you? -Well, yes? Okay, come on, great. 1141 01:04:39,190 --> 01:04:43,010 At six you say? Okay, well, well, come on, come on, yes, yes, yes. 1142 01:04:43,350 --> 01:04:44,810 Okay, see you later. Bye, bye. 1143 01:04:45,770 --> 01:04:46,790 Hey, Antonio, I have to go. 1144 01:04:46,970 --> 01:04:49,170 No, man, sit down, I'll read it to you at the end, which is very nice. 1145 01:04:49,170 --> 01:04:51,850 It's just a moment, man. Sit down, sit down. 1146 01:04:52,150 --> 01:04:53,150 -The end. -What we said. 1147 01:04:53,210 --> 01:04:54,210 Just the ending, look. 1148 01:04:54,590 --> 01:04:58,630 "I chase the smells of your wind and the forgotten image of your footprint 1149 01:04:58,630 --> 01:05:01,530 that love begins in you and ends in me." 1150 01:05:02,330 --> 01:05:05,690 -Very nice, very nice. -Why are you always in such a hurry? 1151 01:05:05,710 --> 01:05:08,490 Where the hell are you going now? And besides, you haven't told me anything. 1152 01:05:08,630 --> 01:05:10,630 You just don't listen to me. Since you don't listen to me, what do I do? 1153 01:05:10,710 --> 01:05:13,230 -Do I separate or not separate? -Look, look, let's do something. 1154 01:05:13,810 --> 01:05:16,250 Don't separate, huh? Don't separate. 1155 01:05:16,250 --> 01:05:19,130 You have to think about these things well, you have to give them time. 1156 01:05:19,310 --> 01:05:22,410 They cannot be done like this, in a rush, suddenly. 1157 01:05:22,490 --> 01:05:24,970 -It's hot, says the guy. -Calm down. Yes, yes, think about it. 1158 01:05:25,390 --> 01:05:27,230 Here is your glass with ice. 1159 01:05:27,490 --> 01:05:29,210 -The ice will be cold. -Good, very cold. 1160 01:05:29,210 --> 01:05:30,210 Thank you very much, thank you very much. 1161 01:05:30,290 --> 01:05:32,890 Well, okay, okay, I'll think about it. Come on, see you later. 1162 01:05:32,890 --> 01:05:33,890 See you later, man. Bye bye. 1163 01:05:45,750 --> 01:05:48,560 -What's happening? -Damn, Pabu, how are you, man? 1164 01:05:48,730 --> 01:05:51,610 -Well, some beers or what? -Come on, come on, come on. 1165 01:05:51,930 --> 01:05:54,210 -What time is it? -Well, I have no idea, wait. 1166 01:05:55,050 --> 01:05:56,050 Twelve. 1167 01:07:00,080 --> 01:07:02,400 -Hello. -Man, hello. How are you? 1168 01:07:05,310 --> 01:07:06,950 Well, here's your studio. 1169 01:07:07,350 --> 01:07:09,350 -Wow! -I help you. 1170 01:07:09,510 --> 01:07:10,890 -Yeah. -How wonderful! 1171 01:07:11,170 --> 01:07:13,270 -Yeah. Do you like it? -Please help. 1172 01:07:14,150 --> 01:07:15,070 In the center of Madrid. 1173 01:07:15,070 --> 01:07:16,750 -There. -Yeah. Yes, yes. 1174 01:07:16,910 --> 01:07:18,290 I think there. 1175 01:07:19,670 --> 01:07:20,670 Very good. 1176 01:07:21,590 --> 01:07:22,590 I love it. 1177 01:07:23,870 --> 01:07:24,870 Yes. 1178 01:07:27,970 --> 01:07:28,970 Phenomenal. 1179 01:07:29,490 --> 01:07:30,490 -Sorry, sorry. -Yeah. 1180 01:07:30,690 --> 01:07:33,550 -It's just that this has stayed a bit... -Ah, thank you very much. 1181 01:07:33,750 --> 01:07:35,430 I was covering your eye. 1182 01:07:35,700 --> 01:07:37,790 Go on. 1183 01:07:38,670 --> 01:07:39,670 Perfect. 1184 01:07:40,050 --> 01:07:42,690 And those over there? I love those. 1185 01:07:43,010 --> 01:07:45,290 No, those from a now forgotten stage of mine. 1186 01:07:45,390 --> 01:07:48,470 Oh, but I love them and I would like to go through all your stages. 1187 01:07:48,530 --> 01:07:50,450 -I love those paintings. -Yeah? 1188 01:07:50,630 --> 01:07:53,290 -Yeah. -Well, then... 1189 01:07:53,290 --> 01:07:56,770 -You're still caught, right? -I? No. 1190 01:07:57,040 --> 01:07:59,050 I mean, is it noticeable? Seems? 1191 01:08:00,270 --> 01:08:03,550 -By? -Well... because she's pregnant. 1192 01:08:04,590 --> 01:08:07,530 Excellent! Damn, right? What... 1193 01:08:07,530 --> 01:08:08,530 Good, right? 1194 01:08:08,670 --> 01:08:09,790 -Yeah? -Yeah. 1195 01:08:10,130 --> 01:08:11,350 Do you know...? 1196 01:08:12,670 --> 01:08:14,230 They call you. Your mother. 1197 01:08:16,500 --> 01:08:18,800 -Yes tell me. -Hello, son. 1198 01:08:19,560 --> 01:08:23,040 Nothing, I'm just calling your father, but the phone is off. 1199 01:08:23,420 --> 01:08:24,420 Pass it to me, come on. 1200 01:08:25,680 --> 01:08:26,680 Oh, you're not at home? 1201 01:08:27,500 --> 01:08:28,620 Wow, man, what a shame. 1202 01:08:29,620 --> 01:08:33,020 Nothing, no, I wanted to take the Chinese because they are leaving tonight. 1203 01:08:33,400 --> 01:08:35,940 But I'm afraid of getting there and your father not being there. 1204 01:08:36,380 --> 01:08:38,640 -You have keys, right? -Yes, I have keys, 1205 01:08:38,760 --> 01:08:41,760 The thing is that I'm not in Madrid, mom. I'm in the field. 1206 01:08:42,620 --> 01:08:45,140 Oh, in the field? But very far? 1207 01:08:46,000 --> 01:08:47,000 Already. 1208 01:08:47,580 --> 01:08:48,980 Well, nothing, nothing. Come on, goodbye. 1209 01:08:51,450 --> 01:08:53,390 -Is something wrong? -No. 1210 01:08:54,190 --> 01:08:58,470 Some Chinese who want to buy my father a painting or I don't know what stories. 1211 01:08:58,830 --> 01:09:02,150 And now my mother wants me to go there and open it for them. You see what... 1212 01:09:02,310 --> 01:09:05,370 Beware of Chinese people who start by buying a painting from your father 1213 01:09:05,370 --> 01:09:06,790 and they end up buying the whole country. 1214 01:09:08,610 --> 01:09:09,930 That loneliness that weighs. 1215 01:09:10,250 --> 01:09:12,850 -Yes, yes, yes, the truth is that... -That emptiness. 1216 01:09:12,850 --> 01:09:13,850 It fit me very well. 1217 01:09:14,010 --> 01:09:16,170 I see it with a little noise, to be honest. 1218 01:09:16,350 --> 01:09:19,110 I would do something more, I don't know, with more movements. 1219 01:09:20,170 --> 01:09:22,170 -Yes, I think so. I think... -And this one? 1220 01:09:22,470 --> 01:09:25,530 Wow! This one has a force. It looks like it's on fire. 1221 01:09:25,770 --> 01:09:28,680 Well, this one is also from another era that has already passed, right? 1222 01:09:28,680 --> 01:09:31,370 -And I would prefer that we focus... -No, decided, this one. 1223 01:09:31,910 --> 01:09:34,390 A red flame, there. 1224 01:09:35,590 --> 01:09:36,590 Perfect. 1225 01:09:36,590 --> 01:09:39,310 Hey, son, a little something. Look, what have I been thinking? 1226 01:09:39,310 --> 01:09:41,390 As I see that you are both very busy, 1227 01:09:41,710 --> 01:09:44,090 Tell your father to forget about the Chinese. 1228 01:09:44,370 --> 01:09:45,370 That we left it. 1229 01:09:45,810 --> 01:09:47,610 I'll sell them to another painter in my gallery. 1230 01:09:47,910 --> 01:09:51,990 And another little thing. As soon as you can, you will return the 5,000 euros that I lent you to me. 1231 01:09:52,050 --> 01:09:56,350 OK? Come on, if you tell your father. Well, a kiss. Goodbye, son. 1232 01:09:57,750 --> 01:10:00,050 And that one? Borgo, come. 1233 01:10:00,750 --> 01:10:02,590 No, this is one that I'm... That's unfinished, huh? 1234 01:10:04,470 --> 01:10:05,470 Oh, explain it to me. 1235 01:10:05,910 --> 01:10:09,310 Well, look, this is like Spain emptied, in a way. 1236 01:10:09,830 --> 01:10:12,750 That is, I have imagined that the technology 1237 01:10:12,750 --> 01:10:15,170 has disappeared from the entire Iberian Peninsula, 1238 01:10:15,270 --> 01:10:19,410 well, from all over the world, and then what remains is nature, 1239 01:10:19,550 --> 01:10:21,490 That is, what was at the beginning of everything, right? 1240 01:10:21,710 --> 01:10:23,910 And "Saturn devouring his son", which is there like...? 1241 01:10:23,910 --> 01:10:28,530 Well, nothing, this was a stupid thing that occurred to me at one point... 1242 01:10:28,530 --> 01:10:29,690 No, no, but I'm deleting this now. 1243 01:10:29,900 --> 01:10:34,570 -It's unfinished, I'm telling you. -Borgo, I see a video here, eh? 1244 01:10:35,090 --> 01:10:36,090 Phenomenal. 1245 01:10:37,530 --> 01:10:39,430 Well, nothing, I think that already... 1246 01:10:39,430 --> 01:10:41,390 that we have it, that I have to go, aunt. 1247 01:10:43,430 --> 01:10:44,750 -Oh, well... -Thank you very much. 1248 01:10:45,250 --> 01:10:47,830 No, to you. Thank you. 1249 01:10:48,910 --> 01:10:51,790 For me, leaving the figurative has been a liberation. 1250 01:10:52,750 --> 01:10:55,690 Yes, because with abstraction I feel much freer. 1251 01:10:55,990 --> 01:10:58,890 Bring to light the unconscious that we have, right? 1252 01:10:59,090 --> 01:11:02,510 And, for example, the fact of using color, 1253 01:11:02,590 --> 01:11:03,830 the yellow and the blue, look, 1254 01:11:03,890 --> 01:11:06,350 yellow and blue are fundamentally... 1255 01:11:07,950 --> 01:11:11,450 This is Javier. Well, he's a neighbor here, a friend, 1256 01:11:11,450 --> 01:11:13,790 and I let you park the motorcycle here, right? 1257 01:11:13,790 --> 01:11:16,450 -How are you, Javier? -Fermin. 1258 01:11:16,450 --> 01:11:17,870 -How are things with you? -Very good. 1259 01:11:18,170 --> 01:11:21,150 -How has it been in Malaga? -Well, spectacular, spectacular. 1260 01:11:22,350 --> 01:11:26,690 We have filled the Pompidou with sea waves, with an open sea. 1261 01:11:27,090 --> 01:11:28,090 Excellent. 1262 01:11:28,250 --> 01:11:31,410 Well, and the scaffolding was nine meters long. 1263 01:11:31,530 --> 01:11:34,890 It's been crazy. We have left our eyelashes, but great. 1264 01:11:35,030 --> 01:11:36,890 -Hey, look, this is a friend. -How are you? 1265 01:11:37,030 --> 01:11:38,030 -Hello. -Nice to meet you. 1266 01:11:38,190 --> 01:11:39,190 Catherine. 1267 01:11:39,970 --> 01:11:41,290 -I am Javier. -How are you? 1268 01:11:41,290 --> 01:11:43,170 Well, Javier, we were having a little wine. 1269 01:11:43,290 --> 01:11:44,630 If you want to have a wine with us. 1270 01:11:45,070 --> 01:11:47,710 Well, look, I'm in a terrible hurry. 1271 01:11:48,430 --> 01:11:50,990 I have to collect one of my best works 1272 01:11:51,150 --> 01:11:53,130 They asked me for a collective 1273 01:11:53,650 --> 01:11:57,230 and I take away one of the best paintings I have done in recent years. 1274 01:12:02,760 --> 01:12:05,480 Fermín, I'm going to leave the motorcycle with you. You don't care, do you? 1275 01:12:05,480 --> 01:12:07,200 -No, I don't care. -You take care of me. 1276 01:12:07,400 --> 01:12:10,620 -I'll take care of you, I'll take care of you. -Hey, delighted. Come on, see you. 1277 01:12:10,620 --> 01:12:12,060 -See you. -Well. 1278 01:12:12,440 --> 01:12:14,720 -Well, Fermín, I'm leaving. -Are you leaving? But... 1279 01:12:14,850 --> 01:12:16,630 -Yeah. That's it. -But we haven't taken... 1280 01:12:16,780 --> 01:12:19,250 -I'm in a hurry. -Are you in a hurry? Well, okay. 1281 01:12:19,400 --> 01:12:23,220 -Well, I mean, I'll help you. -Well yes, help me, come on. 1282 01:12:23,280 --> 01:12:27,300 Let's see. And, no, I was just thinking that... 1283 01:12:27,300 --> 01:12:30,480 Let's see, this is what we talked about before, right? 1284 01:12:30,480 --> 01:12:32,860 About the open house and such, right? 1285 01:12:33,020 --> 01:12:34,740 Yes, well, I'm very busy. 1286 01:12:34,840 --> 01:12:38,500 They have commissioned me for some paintings and I am going to be in a lot of trouble now. 1287 01:12:38,720 --> 01:12:39,720 -Yeah? -Yeah. 1288 01:12:39,720 --> 01:12:42,680 But hey, no, this is an informal thing, eh? I mean... 1289 01:12:42,680 --> 01:12:45,720 Yeah, yeah, but... I don't know. 1290 01:12:45,960 --> 01:12:48,420 -Well, maybe later. -Hey, your cord is untied, huh? 1291 01:12:48,780 --> 01:12:49,780 -Oh, yes? -Yeah. 1292 01:12:50,000 --> 01:12:51,000 Oh, oops, that's true. 1293 01:12:51,180 --> 01:12:53,180 -Sorry. -This way, please. 1294 01:12:53,580 --> 01:12:54,920 -Be careful with the... -Hello. 1295 01:12:59,230 --> 01:13:01,710 Come in, please. I present to you... 1296 01:13:01,710 --> 01:13:03,830 Wait, wait. This is yours. 1297 01:13:04,030 --> 01:13:05,030 Wait, wait, I'll help you. 1298 01:13:05,130 --> 01:13:07,130 -Hello. How are you? -Hi there. 1299 01:13:07,530 --> 01:13:10,870 Well, here, go ahead. He is the artist. 1300 01:13:12,230 --> 01:13:16,090 I present to you the famous painter Fermín García López. 1301 01:13:22,250 --> 01:13:24,530 You can't go three days without being a caveman. 1302 01:13:24,670 --> 01:13:27,270 -But, chata, he was an influencer. -You don't pick up my phone. 1303 01:13:27,410 --> 01:13:28,490 Yeah, but... 1304 01:13:28,490 --> 01:13:30,110 But you always do the same thing, Fermín. 1305 01:13:30,410 --> 01:13:32,830 The Chinese are leaving tonight. If I don't come now, they can't come anymore. 1306 01:13:33,590 --> 01:13:34,590 Well, anyway, it doesn't matter. 1307 01:13:35,170 --> 01:13:38,490 Well, as you can see, it is a very particular space. 1308 01:13:39,290 --> 01:13:41,890 It is an old parking lot converted into a studio. 1309 01:13:42,470 --> 01:13:45,530 Here you can see how García López's work has taken an important turn. 1310 01:13:46,030 --> 01:13:48,310 See? A total leap in style. 1311 01:13:48,970 --> 01:13:52,950 In my opinion, his last works, these large paintings, 1312 01:13:53,530 --> 01:13:55,390 They represent a giant step 1313 01:13:56,030 --> 01:13:59,870 which is arousing a lot of interest in international circuits. 1314 01:13:59,910 --> 01:14:01,650 You're going to forgive us, because he likes it a lot. 1315 01:14:01,810 --> 01:14:05,230 but their plane leaves in a few hours and they have to leave. 1316 01:14:05,590 --> 01:14:07,370 Oh well, of course. 1317 01:14:07,990 --> 01:14:11,490 Well, can you tell them that it has been a huge pleasure for me 1318 01:14:12,030 --> 01:14:15,970 spend the whole weekend showing you Madrid and its surroundings? 1319 01:14:16,570 --> 01:14:18,970 -Ok. -I'll accompany you. Please. 1320 01:14:21,270 --> 01:14:23,270 -Please. -Thank you. 1321 01:14:24,070 --> 01:14:26,370 -Fuck, with the Chinese. -Fuck, man. 1322 01:14:27,150 --> 01:14:30,390 Well, how are you with that influencer? 1323 01:14:30,390 --> 01:14:31,390 Nothing. 1324 01:14:31,510 --> 01:14:33,500 Regulín, go over there. Get in there. 1325 01:14:33,850 --> 01:14:37,510 -And how are you with yours? Have you gone...? -Good. Good, good. 1326 01:14:37,890 --> 01:14:39,510 I found out that Estela is pregnant. 1327 01:14:40,030 --> 01:14:42,030 -Oh. -But well, well. 1328 01:14:42,450 --> 01:14:44,710 -Hey, I'm happy for her. -Yes ok. 1329 01:14:44,790 --> 01:14:48,230 -That's love, right? -Yes, yes. The fact that? 1330 01:14:48,450 --> 01:14:52,910 Well, that, being happy for her, not needing her to be yours. 1331 01:14:53,090 --> 01:14:55,290 -If it goes well, then it goes well. -Clear. 1332 01:14:55,630 --> 01:14:58,390 -The ideal is that it be with me, but... -Yes. 1333 01:14:58,650 --> 01:15:01,570 But in the end, if it's not me, that is, it's not me, 1334 01:15:03,070 --> 01:15:04,810 Well, be happy too, right? 1335 01:15:04,810 --> 01:15:07,370 In the end, love is a pretext to take over the other. 1336 01:15:07,650 --> 01:15:08,650 Yes it's true. 1337 01:15:09,350 --> 01:15:13,590 So, well, I'm not the protagonist of my own movie, right? 1338 01:15:13,750 --> 01:15:16,770 -It's screwed, but that's how it is. -Of course, well, that's life, Pablo. 1339 01:15:17,570 --> 01:15:18,610 Yes, that's life. 1340 01:15:18,610 --> 01:15:22,850 And I'm going to have to ask you for my card. 1341 01:15:24,130 --> 01:15:25,570 -The card you say? -Yeah. 1342 01:15:25,910 --> 01:15:29,530 Well, but the money is for the one who works for it, Pablo. 1343 01:15:29,850 --> 01:15:32,450 -But dad, who painted this? -If you call this painting... 1344 01:15:32,590 --> 01:15:34,930 Yes there are some mountains, a little sea and the peninsula. 1345 01:15:35,350 --> 01:15:38,170 I have painted all this. Not like you, you haven't painted anything. 1346 01:15:38,390 --> 01:15:41,570 And what have you done, uncle? You've been partying there all the time. 1347 01:15:41,570 --> 01:15:42,570 Hello? 1348 01:15:43,290 --> 01:15:44,290 Yeah? 1349 01:15:44,690 --> 01:15:45,690 What's happening? 1350 01:15:47,070 --> 01:15:48,350 Pablo, have you painted this? 1351 01:15:51,460 --> 01:15:53,000 I already knew that you were very strange. 1352 01:15:53,720 --> 01:15:54,800 Can you find out what is happening? 1353 01:15:55,900 --> 01:15:57,100 This is what is happening. 1354 01:15:58,440 --> 01:15:59,580 -But, Fermín... -Yes. 1355 01:15:59,840 --> 01:16:02,160 -Oh, my mother! -I can't paint. 1356 01:16:02,180 --> 01:16:04,360 -Now I understand everything. -Yeah. 1357 01:16:04,360 --> 01:16:05,360 The Pollocks... 1358 01:16:05,380 --> 01:16:07,350 Stop talking about the Pollocks, please. 1359 01:16:07,500 --> 01:16:09,320 - Yes, I'm stupid. -No, well, let's see. 1360 01:16:09,470 --> 01:16:11,070 What's up with these Chinese people? Do they buy...? 1361 01:16:11,220 --> 01:16:12,720 No, how are you going to buy, Fermín? How are they going to buy? 1362 01:16:13,820 --> 01:16:17,700 -They have seen you too alive. -Fuck, I'm sorry, damn. 1363 01:16:17,900 --> 01:16:21,300 And I'm out there showing you Madrid all weekend, I'm up to here. 1364 01:16:21,860 --> 01:16:23,780 What if the little boats of El Retiro, what if the ham, 1365 01:16:23,900 --> 01:16:26,100 What if the flamenco, what if... Look, really... 1366 01:16:26,100 --> 01:16:28,020 Wait, wait, I'm having an idea. 1367 01:16:28,220 --> 01:16:31,410 -That? -No, it's to make the painting, I say. 1368 01:16:31,820 --> 01:16:33,380 Take the point of view of the tourists. 1369 01:16:33,600 --> 01:16:35,500 Yes, but let it be like a criticism, 1370 01:16:35,660 --> 01:16:37,400 That is, put all the clichés together. 1371 01:16:37,540 --> 01:16:40,020 The Holy Week processions, the flamenquito... 1372 01:16:40,020 --> 01:16:41,860 Oh, okay. I mean, Julio Iglesias... 1373 01:16:41,860 --> 01:16:44,880 Sara Montiel, Lola Flores... 1374 01:16:45,040 --> 01:16:47,950 -The sardana, the Aragonese jota... -That. 1375 01:16:48,110 --> 01:16:50,940 The gazpacho, right?, the paella, the San Fermín running of the bulls. 1376 01:16:51,100 --> 01:16:52,860 Yes, all that would be the center, okay? 1377 01:16:52,860 --> 01:16:56,340 in the present, right? But what do we do with Paradise? 1378 01:16:56,510 --> 01:16:59,310 -Adam and Eve. -Adam and Eve, but a Spanish Adam and Eve. 1379 01:16:59,480 --> 01:17:00,480 The Catholic Monarchs. 1380 01:17:00,600 --> 01:17:03,240 The Catholic Monarchs... The Catholic Monarchs, okay. 1381 01:17:03,280 --> 01:17:05,340 And in Hell, who do we put in Hell? 1382 01:17:05,820 --> 01:17:08,140 Well what do I know, the creators of all the clichés, 1383 01:17:08,310 --> 01:17:10,780 -The black legend, the English... -Very good idea. 1384 01:17:10,940 --> 01:17:13,950 The tourists in Benidorm, there scorching like crabs. 1385 01:17:14,120 --> 01:17:16,540 That's right, with all the giant buildings right on the beach, right? 1386 01:17:16,540 --> 01:17:19,300 -You don't see anything... -Yes, the corruption, the brick, all that. 1387 01:17:19,320 --> 01:17:21,940 -Really, guys, I love it. -Yeah? 1388 01:17:22,180 --> 01:17:23,840 -I love it. -Wow! 1389 01:17:25,180 --> 01:17:26,880 -Pablo, I ask you one thing, please. -Tell me. 1390 01:17:27,680 --> 01:17:28,800 -Help your father with this, okay? -Clear. 1391 01:17:29,440 --> 01:17:30,440 Well... 1392 01:17:31,460 --> 01:17:32,460 Get going. 1393 01:17:33,200 --> 01:17:35,360 -We have it. -We have it. 1394 01:17:35,700 --> 01:17:36,700 To paint. 1395 01:17:37,580 --> 01:17:38,580 Bye bye. 1396 01:17:38,580 --> 01:17:39,820 -Bye, mommy. -Bye, bye. 1397 01:18:28,530 --> 01:18:29,870 And your mother? 1398 01:18:30,030 --> 01:18:32,260 Don't know. He is usually punctual. 1399 01:18:44,580 --> 01:18:47,700 Good night. Welcome and welcome. 1400 01:18:48,440 --> 01:18:50,980 The day has come to shake the history of art. 1401 01:18:51,940 --> 01:18:54,820 Next I will announce the selected artists 1402 01:18:54,820 --> 01:18:57,360 that they will version for our collection 1403 01:18:57,840 --> 01:19:00,980 Hieronymus Bosch's masterpiece, "The Garden of Earthly Delights." 1404 01:19:03,280 --> 01:19:06,940 First of all, the Dutch collective SMACK 1405 01:19:07,340 --> 01:19:09,000 with his work "Speculum". 1406 01:19:13,580 --> 01:19:17,990 Mu Pan with "Mu Pan's Garden of Early Delight". 1407 01:19:21,800 --> 01:19:23,140 What a move this is. 1408 01:19:23,930 --> 01:19:27,770 Sholim with "Heaven Eggs Hell Series". 1409 01:19:32,970 --> 01:19:36,680 Cassie McQuater with Angela's Flute. 1410 01:19:40,350 --> 01:19:41,370 And finally... 1411 01:19:45,860 --> 01:19:49,220 Catalina Björk with her work "Empty Spain", 1412 01:19:49,600 --> 01:19:53,340 a video performance that is a blow to our social conscience, 1413 01:19:53,820 --> 01:19:55,620 abandonment of rural areas 1414 01:19:55,620 --> 01:19:58,540 and its impact on women of the 21st century. 1415 01:20:41,540 --> 01:20:42,550 Son. 1416 01:20:42,720 --> 01:20:44,430 Mom, but where were you? Well, we haven't won. 1417 01:20:44,430 --> 01:20:47,760 I know, I know, they tipped me off. I have sold it. 1418 01:20:48,100 --> 01:20:50,860 -The fact that? Whom? -"The Delights of the Garden", to the Chinese. 1419 01:20:51,030 --> 01:20:54,390 -I've been calling you to... -Wait, what about the Chinese? 1420 01:20:54,560 --> 01:20:56,100 But didn't you say that they saw him as very young? 1421 01:20:56,100 --> 01:20:58,060 Already, I told them that your father had a heart attack. 1422 01:20:58,200 --> 01:20:59,480 -That? -I have no other choice. 1423 01:20:59,740 --> 01:21:02,560 -Where is? -Well, he went to the bathroom a while ago. 1424 01:21:02,560 --> 01:21:03,560 -Oh, yes? -Yeah. 1425 01:21:03,700 --> 01:21:05,380 I think you felt bad about Catalina. 1426 01:21:05,880 --> 01:21:06,960 Oh my God, don't tell me. 1427 01:21:07,700 --> 01:21:10,360 -We have to find it before... -What... What? 1428 01:21:10,600 --> 01:21:11,600 Really. 1429 01:21:45,540 --> 01:21:47,280 But what is this? 1430 01:21:48,510 --> 01:21:49,510 But... 1431 01:21:50,970 --> 01:21:52,630 -My God! -But what have you done? 1432 01:21:53,050 --> 01:21:54,050 What is this? 1433 01:21:54,630 --> 01:21:56,090 But, Fermin... 1434 01:21:58,300 --> 01:22:00,300 And it stays there like a... 1435 01:22:00,490 --> 01:22:02,130 undecided 1436 01:22:08,500 --> 01:22:10,060 -What is this? -What have you done, dad? 1437 01:22:10,360 --> 01:22:12,700 Well nothing, fire is purifying. 1438 01:22:13,040 --> 01:22:15,440 It reminds us of the ephemerality of life and art. 1439 01:22:17,060 --> 01:22:19,100 The painting has been sold, Fermín. 1440 01:22:19,620 --> 01:22:21,020 -Has this painting been sold? -Yeah! 1441 01:22:21,240 --> 01:22:23,900 -But to whom? -To the Chinese, Fermín! To the Chinese! 1442 01:22:23,940 --> 01:22:25,900 But didn't they say he was too alive? 1443 01:22:26,040 --> 01:22:29,880 Yes, but in life you have to insist sometimes, you understand? 1444 01:22:30,700 --> 01:22:31,700 Really... 1445 01:22:33,440 --> 01:22:34,880 And what is this guy doing now? 1446 01:22:37,490 --> 01:22:38,960 But hey, Pablo. 1447 01:22:39,450 --> 01:22:42,290 But hey, what do you do? 1448 01:22:42,910 --> 01:22:44,570 What I should have done a long time ago. 1449 01:22:44,890 --> 01:22:46,890 -Wake? -Yes sir. 1450 01:22:46,890 --> 01:22:47,750 Well done. 1451 01:22:47,750 --> 01:22:50,190 But what have I done in life for both of you to be such idiots? 1452 01:22:50,550 --> 01:22:52,270 I just can't understand it. Look what you've done, Fermín. 1453 01:22:52,990 --> 01:22:54,870 Look... Look... No? 1454 01:22:56,050 --> 01:22:58,670 -Hey... -Hey, well if you look at it... 1455 01:22:58,670 --> 01:22:59,670 -It's pretty. -Yeah. 1456 01:22:59,710 --> 01:23:02,650 -It has like... -Yes, look, these blue ones here, 1457 01:23:03,530 --> 01:23:06,050 With the yellow that is complementary, it looks very good, right? 1458 01:23:07,230 --> 01:23:08,910 Peppered, but also with... 1459 01:23:09,150 --> 01:23:11,850 with figurative part and such. Fuck! 1460 01:23:12,530 --> 01:23:18,250 -The truth is that it produces things in me, right? -Yes, yes, yes. 1461 01:23:18,350 --> 01:23:20,470 I'm really thinking about it as a gallery owner. 1462 01:23:20,870 --> 01:23:23,230 -It has a bit of Pollock. -Yeah. 1463 01:23:23,230 --> 01:23:25,730 -It's like a new stage for García López. -Yeah. 1464 01:23:27,350 --> 01:23:30,770 Thanks to me, of course. Because my authorship is here. 1465 01:23:30,950 --> 01:23:31,950 -Well, me too. -Man, as you will understand. 1466 01:23:32,030 --> 01:23:34,190 Man, who painted this? 1467 01:23:34,190 --> 01:23:36,130 Yes, but hey, who had the idea? 1468 01:23:36,410 --> 01:23:38,590 -Yes, and who finished it off? -You have burned it. 1469 01:23:39,030 --> 01:23:42,190 -Well. -Anyway, as a gallery owner... 1470 01:23:42,690 --> 01:23:46,290 Now let's go to the last batch of the afternoon, 127. 1471 01:23:47,270 --> 01:23:50,590 It is a triptych by Fermín García López. 1472 01:23:50,810 --> 01:23:53,030 The title of the work, "The Delights of the Garden." 1473 01:23:53,370 --> 01:23:56,130 Price covered on the website at 10,500 euros. 1474 01:23:56,290 --> 01:23:57,730 Who offers 11,000? 1475 01:23:59,270 --> 01:24:02,790 They offer 11,000. Who gives 11,500? 1476 01:24:04,190 --> 01:24:06,530 11,500, they give 11,500. 1477 01:24:06,690 --> 01:24:08,810 Who raises to 12,000? 1478 01:24:10,590 --> 01:24:13,210 12,000 euros, around here they give 12,000 euros. 1479 01:24:13,330 --> 01:24:14,330 Who raises the bid? 1480 01:24:14,530 --> 01:24:17,310 I remember that we are looking at a recent work by the author 1481 01:24:17,730 --> 01:24:20,530 that tries to integrate the first figurative period... 1482 01:24:21,610 --> 01:24:23,400 How long do the Chinese close? 1483 01:24:25,910 --> 01:24:28,050 Who ups the ante? 1484 01:24:29,310 --> 01:24:30,310 20,000. 1485 01:24:30,810 --> 01:24:31,850 Did you say 20,000? 1486 01:24:32,530 --> 01:24:34,850 Now the bidding will have to be... 1487 01:24:36,550 --> 01:24:39,090 28,000. Who gives me 28,000 euros? 1488 01:24:42,620 --> 01:24:46,620 28,000 euros there. Who offers 36,000? 1489 01:24:48,920 --> 01:24:54,060 36,000 euros for this marvel by Fermín García López. 1490 01:24:54,180 --> 01:24:56,640 The bid will have to be 44,000. 1491 01:24:56,720 --> 01:24:57,940 Who gives 44,000? 1492 01:24:59,280 --> 01:25:02,600 -50,000. -50,000. They said 50,000. 1493 01:25:03,780 --> 01:25:06,460 The next minimum bid must be... 1494 01:25:06,460 --> 01:25:09,320 Antonio, please, over there, over there, damn it. 1495 01:25:09,780 --> 01:25:11,200 64,000. 1496 01:25:12,260 --> 01:25:13,800 Does anyone give 64,000? 1497 01:25:14,840 --> 01:25:15,840 No? 1498 01:25:15,860 --> 01:25:18,220 We go back to 50. 50,000 at a time. 1499 01:25:20,240 --> 01:25:21,760 50,000 for two. 1500 01:25:24,990 --> 01:25:27,550 64,000 in the room, ladies and gentlemen. 1501 01:25:27,650 --> 01:25:31,370 I already knew that this batch was going to be very successful. 1502 01:25:33,310 --> 01:25:35,430 64,000 euros. And we continue. 1503 01:25:35,570 --> 01:25:38,030 Let's go for 78,000. 1504 01:25:38,350 --> 01:25:40,070 Is anyone excited about the 78,000? 1505 01:25:41,250 --> 01:25:44,650 No.? We return to 64,000. 64,000 for one. 1506 01:25:45,690 --> 01:25:47,110 64,000 for two. 1507 01:25:48,570 --> 01:25:51,670 64,000 to that of... 78,000. 1508 01:25:51,750 --> 01:25:55,030 Here they give 78,000 euros, ladies and gentlemen. 1509 01:25:55,750 --> 01:25:57,310 Very good, 78,000 for one. 1510 01:25:58,570 --> 01:26:00,030 78,000 for two. 1511 01:26:00,380 --> 01:26:03,010 Awarded the lot. 1512 01:26:03,210 --> 01:26:06,390 Well, it has been the work of mine that has been paid the most money for. 1513 01:26:06,700 --> 01:26:08,110 Yeah, well, don't get your hopes up either, 1514 01:26:08,330 --> 01:26:10,270 because you have to return anything over 50,000. 1515 01:26:10,310 --> 01:26:12,310 -Sure? -And so sure? 1516 01:26:12,450 --> 01:26:16,350 -At least you can pay the Treasury. -Yes, that is a relief, isn't it?, but... 1517 01:26:17,090 --> 01:26:19,570 Well, make that face happy, things haven't gone that bad. 1518 01:26:19,790 --> 01:26:23,030 I will be happy when you have painted everything you have to paint. 1519 01:26:29,400 --> 01:26:34,080 I was the one who gave him the idea... About the burns. Isn't it? 1520 01:26:34,080 --> 01:26:35,080 -Yeah. -You? 1521 01:26:35,080 --> 01:26:36,080 -Yes, me. -But... 1522 01:26:36,180 --> 01:26:39,220 Damn, when I told you about the Alcázar Real fire. Remember. 1523 01:26:40,560 --> 01:26:43,980 -Okay, about fire purifying. -Exactly. 1524 01:26:44,110 --> 01:26:45,490 Fire purifies. Yes, well I said it. 1525 01:26:45,620 --> 01:26:46,870 Sorry, Fermin. 1526 01:26:47,000 --> 01:26:50,760 Fermín, sublime, spectacular what you have done. 1527 01:26:52,060 --> 01:26:53,060 Bright, recognizable. 1528 01:26:53,380 --> 01:26:54,740 -You go down in posterity with this. -Oysters. 1529 01:26:54,880 --> 01:26:58,320 This is a twist you've given that I'm flabbergasted. Congratulations. 1530 01:26:58,480 --> 01:27:01,600 Sorry, Javier, I'm going to introduce you to my wife. 1531 01:27:01,600 --> 01:27:03,400 I don't know if I ever presented it to you. Julieta, Javier de Juan. 1532 01:27:03,720 --> 01:27:05,520 -Five or six times. I'm going to kiss you. -Yeah. Yes. 1533 01:27:05,880 --> 01:27:07,720 Man, please. 1534 01:27:07,920 --> 01:27:09,320 What's more, the last time we saw each other 1535 01:27:09,320 --> 01:27:12,340 It was at your exhibition, at the inauguration of Conde Duque. 1536 01:27:13,300 --> 01:27:14,540 Sorry, I have to say something to Fermín, sorry. 1537 01:27:16,250 --> 01:27:19,670 You don't know how much I appreciate the advice you gave me. 1538 01:27:19,860 --> 01:27:20,860 Yeah? 1539 01:27:20,940 --> 01:27:22,880 Because what we really have to do is dialogue. 1540 01:27:23,240 --> 01:27:25,100 I mean, that's the key. That is, approach the other person and talk. 1541 01:27:25,100 --> 01:27:27,720 And so Julieta and I are now much better than before 1542 01:27:27,720 --> 01:27:30,580 because we talk about everything, we talk about everything calmly. 1543 01:27:30,660 --> 01:27:34,300 -You don't know how happy I am, Antonio. -And you deserve it too. 1544 01:27:34,640 --> 01:27:36,360 -Yeah? -Yes, you deserve to be happy. 1545 01:27:36,560 --> 01:27:38,380 May you have a relationship again. 1546 01:27:39,160 --> 01:27:41,260 -Yes, I would have to... -Why don't you go back to Pepa, 1547 01:27:41,540 --> 01:27:43,900 What is a very intelligent woman? Look what he's done for you here. 1548 01:27:44,140 --> 01:27:45,980 -With Pepa? -With Pepa, of course, with Pepa. Clear. 1549 01:27:47,200 --> 01:27:49,640 You already know her. Well, you have to smooth things over, 1550 01:27:50,020 --> 01:27:51,260 -But I think you should go back to her. 1551 01:27:51,260 --> 01:27:51,960 -Yeah? -Yeah. 1552 01:27:51,960 --> 01:27:53,440 But now... 1553 01:27:53,440 --> 01:27:55,560 Sure, man, try it now. Try it, come on. 1554 01:27:55,960 --> 01:27:58,180 Listen to me, Fermín, listen to me. Listen to me. 1555 01:28:00,040 --> 01:28:02,180 -Congratulations, baby. -Thank you. 1556 01:28:02,230 --> 01:28:03,230 Bye bye. 1557 01:28:03,360 --> 01:28:06,660 Well, you'll be happy, right? Sold out on opening day. 1558 01:28:06,660 --> 01:28:09,900 -And at what prices. -Yes, we are already at peace with the Chinese. 1559 01:28:10,340 --> 01:28:12,200 From now on, all money. 1560 01:28:12,300 --> 01:28:15,020 Yes, but don't relax. You have to pay taxes, remember. 1561 01:28:15,360 --> 01:28:16,540 But I already paid for this, I already got out of that. 1562 01:28:16,720 --> 01:28:19,420 From the paintings you just sold, please. The taxes of the paintings. 1563 01:28:19,590 --> 01:28:21,760 If I haven't seen even a penny, let the Chinese pay for it. 1564 01:28:21,940 --> 01:28:24,500 Don't complain, you've become a sought-after painter again. 1565 01:28:24,740 --> 01:28:27,900 Yes, that's true. All thanks to you. 1566 01:28:30,400 --> 01:28:32,860 Well, hey, this perfume is new, right? 1567 01:28:33,280 --> 01:28:35,640 -I don't know, no. -No? 1568 01:28:35,640 --> 01:28:36,840 No, no, I don't know. 1569 01:28:37,080 --> 01:28:40,440 The... The smells I perceive from your wind... 1570 01:28:41,120 --> 01:28:42,120 No. 1571 01:28:42,260 --> 01:28:44,900 -My eyes without your eyes... -What's wrong with my eyes? 1572 01:28:44,940 --> 01:28:47,680 No, my eyes without your eyes are not eyes, 1573 01:28:48,260 --> 01:28:50,880 -which are two solitary anthills. -Ah, Fermín, what... 1574 01:28:50,940 --> 01:28:53,900 Yes, but I smell the smells of your wind... 1575 01:28:53,900 --> 01:28:56,700 Wait, wait, I'm going to ask here. 1576 01:28:56,700 --> 01:29:00,620 Miguel Hernández, "My eyes without your eyes." 1577 01:29:00,720 --> 01:29:02,260 Please, Fermín, how strange you are. 1578 01:29:02,760 --> 01:29:04,160 No, here, here, here I have it. 1579 01:29:04,500 --> 01:29:07,070 -"I chase the smells of your wind..." -Sorry. 1580 01:29:07,070 --> 01:29:09,160 "And the forgotten image of your footprint 1581 01:29:09,580 --> 01:29:12,080 that love begins in you and in me... 1582 01:29:14,640 --> 01:29:15,640 -finish". -Artist. 1583 01:29:16,260 --> 01:29:19,080 -That? What's the matter? -No, nothing. 1584 01:29:19,540 --> 01:29:21,920 Are you pale? Oh, you didn't know? 1585 01:29:22,940 --> 01:29:25,460 -No, no, no. -With the Chinese... 1586 01:29:26,380 --> 01:29:29,360 Fermin, congratulations. It blows my mind, huh? 1587 01:29:29,380 --> 01:29:32,600 The thing about "Burned Spain" is absolute genius. 1588 01:29:32,680 --> 01:29:34,760 -Damn, thank you. -Hey, I want one. 1589 01:29:34,760 --> 01:29:36,640 It would look splendid in my living room, eh? 1590 01:29:36,660 --> 01:29:37,660 -In your living room? -Yeah. 1591 01:29:38,740 --> 01:29:41,320 I know they are all surely sold, it's what you deserve, 1592 01:29:41,400 --> 01:29:44,760 But hey, you still have a waiting list, maybe someone falls off, right? 1593 01:29:44,900 --> 01:29:47,100 Yes, yes, we will put you first on the waiting list. 1594 01:29:47,320 --> 01:29:49,740 Thank you, I will call every Monday at 12. 1595 01:29:50,400 --> 01:29:51,820 -I want my painting. -Yes, yes. 1596 01:29:51,820 --> 01:29:53,420 -Thank you, Fermin. Congratulations. -See you later. 1597 01:29:55,320 --> 01:29:57,580 Congratulations, congratulations. You have gone from the bathroom to the living room. 1598 01:29:57,780 --> 01:29:58,780 Yes, damn. 1599 01:29:59,620 --> 01:30:01,180 -Well, see you later, eh? -See you later. 1600 01:30:01,390 --> 01:30:03,340 -The paintings are very good, eh? -Yes, yes. 1601 01:30:03,920 --> 01:30:05,920 -Bye bye. -Bye bye. 1602 01:30:06,880 --> 01:30:10,140 Well, I guess I'm freed now, right? I am free. 1603 01:30:10,600 --> 01:30:13,260 -As? -I can now paint with my name, right? 1604 01:30:13,440 --> 01:30:15,240 But let's see, Pablo, you haven't understood anything. 1605 01:30:15,540 --> 01:30:17,300 Now is when I start to be quoted. 1606 01:30:17,420 --> 01:30:19,820 Now is when we can start making money, both of us. 1607 01:30:19,820 --> 01:30:23,080 No, but damn, at some point I'll have to paint, right? 1608 01:30:23,100 --> 01:30:25,840 -That I am also a painter. -Because? Don't you want to make money or what? 1609 01:30:26,040 --> 01:30:28,020 Well yes, I do want to make money, but damn, 1610 01:30:28,200 --> 01:30:32,000 I don't know, I mean, I don't want to be in Fermín's eternal shadow either. 1611 01:30:32,100 --> 01:30:34,580 But how in the shade? I am the one who has the mark, Pablo. 1612 01:30:35,040 --> 01:30:38,740 I mean, it's a way to make money for the family, dammit. 1613 01:30:38,920 --> 01:30:42,910 A way to make money, but of course, a lot of branding, a lot of branding, 1614 01:30:43,090 --> 01:30:46,900 -but the one who painted this is me. -Well, look, I don't care, 1615 01:30:47,080 --> 01:30:50,120 I mean, I can get painters, I mean, they can paint this... 1616 01:30:50,120 --> 01:30:51,300 -To anyone. -Oh, yes? 1617 01:30:51,380 --> 01:30:53,020 Yes, like all the great painters, like Jeff Koons.